GUSTAVE CAILLEBOTTE AND THE FASHIONING OF IDENTITY IN By Norma Broude

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Item specifics

Condition
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Cover is like new. Pages are like new as well, clean and unmarked.”
Book Title
Gustave Caillebotte and the Fashioning of Identity in
Item Height
9.75 inches
ISBN-10
0813530180
ISBN
9780813530185
Category

About this product

Product Identifiers

Publisher
Rutgers University Press
ISBN-10
0813530180
ISBN-13
9780813530185
eBay Product ID (ePID)
1951053

Product Key Features

Number of Pages
272 Pages
Language
English
Publication Name
Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris
Publication Year
2002
Subject
History / Modern (Late 19th Century to 1945), Criticism & Theory, General, European
Type
Textbook
Author
Norma Broude
Subject Area
Art
Format
Trade Paperback

Dimensions

Item Weight
23.1 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
2001-031786
Illustrated
Yes
Synopsis
Over the last decades, Gustave Caillebotte (1848-1894), a long-neglected painter associated with the French Impressionists, has suddenly become the subject of intense public interest and renewed scholarly debate. With a series of important exhibitions recently showcasing his work, Caillebotte's enigmatic paintings have begun to exert an unexpected fascination for postmodern audiences, and they have become rich sites for interpretive debate. The essays that comprise this volume exemplify the best aspects of recent Caillebotte scholarship. They employ a variety of perspectives to examine the ways in which his art sheds light on the formation of individual and class identities in Paris during the early years of the Third Republic--an era of transition marked by the burgeoning of capitalism and the instabilities of newly shifting gender roles in the modern world. Addressing a wide range of major paintings by Caillebotte, the contributors reveal the compound ways in which the artist encoded his images and the multiple interpretations to which these images are susceptible. Juxtaposed so as to complement and challenge one another, these essays build a provocative whole as they probe issues of spectatorship and authorial intention. The contributors--all internationally known scholars and art professionals--create an important theoretical framework for the discussion of Caillebotte's work., Once neglected, Gustave Caillebotte (1848-1894), a painter associated with the French Impressionists, has become the subject of intense public interest and renewed scholarly debate. With a series of exhibitions showcasing his work, Caillebotte's enigmatic paintings have begun to exert an unexpected fascination for postmodern audiences and have become rich sites for interpretive debate.
LC Classification Number
ND553.C243G874 2002

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