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Music, Sound and Sensation : A Modern Exposition Paperback Fritz

US $4.00
ApproximatelyS$ 5.14
Condition:
Very Good
Great condition other than a sticker on the spine and a stamp on the bottom page edges
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eBay item number:177049611708

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Great condition other than a sticker on the spine and a stamp on the bottom page edges”
Features
EX-LIBRARY
Book Title
Music, Sound and Sensation : A Modern Exposition Paperback Fritz
ISBN
9780486217642

About this product

Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
0486217647
ISBN-13
9780486217642
eBay Product ID (ePID)
1016962

Product Key Features

Number of Pages
208 Pages
Language
English
Publication Name
Music, Sound and Sensation : a Modern Exposition
Publication Year
2012
Subject
Instruction & Study / Appreciation, Physics / General, Acoustics & Sound
Type
Textbook
Author
Fritz Winckel
Subject Area
Music, Science
Series
Dover Books on Physics Ser.
Format
Trade Paperback

Dimensions

Item Weight
7.6 Oz
Item Length
8 in
Item Width
5 in

Additional Product Features

Intended Audience
College Audience
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
781.2/2
Synopsis
This excellent text offers thorough, nontechnical coverage of psychoacoustics: loudness, dissolution power of the ear, influence of hall properties, function of time variation, sound spectrum, musical space, electroacoustic sound structure, and other key topics., Related closely to the field of physical acoustics is that of psychoacoustics, which deals with the phenomena of musical hearing from a psychological and aesthetic point of view. One of the major contributors to our understanding of the subject is Fritz Winckel. When this book first appeared in German in 1960, reviewers pressed for an English translation. This Dover volume is an answer to that demand: it makes Professor "Winckel's important study generally available to English-language readers for the very first time." It has been extensively revised and updated by the author. In his thought-provoking study, Professor Winckel applies the findings of technical researches in acoustics to the practice of music, covering many different aspects of recent psychoacoustical researches: the evaluation of loudness and the dissolution power of the car; the influence of the acoustical properties of the concert hall on the hearing process; the function of time variation and rhythm in musical perception; the evaluation of the sound spectrum including the unharmonic components. He surveys extensively the German and English literature in the field, organizing his information into chapters on stationary sound, the onset behavior of sound, the concept of space, the concept of time, the evaluation of sound through the hearing mechanism, unclarity in musical structures, simultaneously sounding tones, electroacoustic sound structure, and the effect of music on the listener. This book should prove equally useful to acousticians, sound engineers, and others working in this area of applied physics and to composers, performers, and musicologists concerned with the technical aspects of music. Psychologists working in the field of sense perception will also find much of value here. New translation by Thomas Binkley of the 1960 German edition of Ph nomene des musikalischen H rens, with revisions and corrections by the author., This excellent text offers thorough, nontechnical coverage of psychoacoustics: loudness, dissolution power of the ear, influence of hall properties, function of time variation, sound spectrum, musical space, electroacoustic sound structure, and other key topics. New translation of the 1960 German edition by Thomas Binkley. 111 figures., Related closely to the field of physical acoustics is that of psychoacoustics, which deals with the phenomena of musical hearing from a psychological and aesthetic point of view. One of the major contributors to our understanding of the subject is Fritz Winckel. When this book first appeared in German in 1960, reviewers pressed for an English translation. This Dover volume is an answer to that demand: it makes Professor "Winckel's important study generally available to English-language readers for the very first time." It has been extensively revised and updated by the author. In his thought-provoking study, Professor Winckel applies the findings of technical researches in acoustics to the practice of music, covering many different aspects of recent psychoacoustical researches: the evaluation of loudness and the dissolution power of the car; the influence of the acoustical properties of the concert hall on the hearing process; the function of time variation and rhythm in musical perception; the evaluation of the sound spectrum including the unharmonic components. He surveys extensively the German and English literature in the field, organizing his information into chapters on stationary sound, the onset behavior of sound, the concept of space, the concept of time, the evaluation of sound through the hearing mechanism, unclarity in musical structures, simultaneously sounding tones, electroacoustic sound structure, and the effect of music on the listener. This book should prove equally useful to acousticians, sound engineers, and others working in this area of applied physics and to composers, performers, and musicologists concerned with the technical aspects of music. Psychologists working in the field of sense perception will also find much of value here. New translation by Thomas Binkley of the 1960 German edition of Phänomene des musikalischen Hörens, with revisions and corrections by the author.

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