Turkish Miniature Paintings and Manuscripts from the Collection of Edwin Binney,

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Paperback. Cover and spine in good condition. Spine is tight. Pages are clean, no markings, notes ... Read moreabout condition
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Item specifics

Condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See all condition definitionsopens in a new window or tab
Seller Notes
“Paperback. Cover and spine in good condition. Spine is tight. Pages are clean, no markings, ...
Book Title
Turkish Miniature Paintings and Manuscripts from the Collectio
ISBN
9780300201727
Category

About this product

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300201729
ISBN-13
9780300201727
eBay Product ID (ePID)
169882740

Product Key Features

Number of Pages
140 Pages
Language
English
Publication Name
Turkish Miniature Paintings and Manuscripts from the Collection of Edwin Binney, 3rd
Publication Year
2013
Subject
Middle Eastern, Book, Collections, Catalogs, Exhibitions / General, History / General
Type
Textbook
Author
Edwin Binney
Subject Area
Design, Art
Format
Trade Paperback

Dimensions

Item Weight
19.2 Oz
Item Length
9 in
Item Width
8.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
Illustrated
Yes
Synopsis
Examples of the Turkish pictorial arts outside the Topkapu Saray Library in Istanbul are rare--a well-known fact that Dr. Binney demonstrates again in his introduction to this catalogue. Why so rare? For one thing, this art never achieved widespread support or appreciation within the Turkish empire. It was fostered only by the sultan's court and kept within the confines of the royal establishments. The fact that the Turks were Sunnis who followed the canonical law more strictly than, for instance, the Iranians may have a good deal to do with the limited number of existing works illustrated by Turkish miniature painters. The major museums and libraries of the world possess relatively few examples of Turkish miniature paintings and manuscripts. In the private sector, only two enthusiastic connoisseurs have acquired large and representative collections: the late Sir Chester Beatty, founder of the Chester Beatty Library in Dublin, and the author of this catalogue, a loyal friend of the Islamic Department of The Metropolitan Museum of Art. Aided by his connoisseurship and wide knowledge of the arts of the Near and Middle East, Dr. Binney has been able by painstaking and well-informed endeavors to collect every form of Turkish painting. His collection ranges from a rare example of the late fifteenth century through the more numerous paintings of the nineteenth century, when the art was increasingly influenced by European styles. The collection contains historical accounts of the lives and accomplishments of earlier sultans as well as illuminated works dealing with saints or legendary heroes. There are portraits of sultans and of handsome youths and maidens, renditions of historic buildings, decorative illuminations, and various forms of the art of calligraphy. While Turkish painting was contemporary with that of Iran and Mughal India, in nearly all ways it was distinguishable, not only in its different forms of dress and headgear and the more formal presentation of the figures, but also in its more simplified and at time monumentalized forms of trees, landscapes, and architecture. At the same time the Turkish artist had a keen eye for details, an attitude that led in the course of time to realistic portrayals of figures and scenes. Such close observation eventually made the artists turn to exaggeration--even caricature. All of this helped to make Turkish painting something unique, even though its heritage from Persian painting and its European influences are easily recognized. Dr. Binney's well-illustrated catalogue offers the general public and the student alike an excellent survey of Turkish painting and an insight into the special qualities of this diverse art. His collection, so generously lent to us, represents a cultural achievement worthy of honoring the Republic of Turkey on the occasion of its fiftieth anniversary. [This book was originally published in 1973 and has gone out of print. This edition is a print-on-demand version of the original book.] Published by The Metropolitan Museum of Art/Distributed by Yale University Press, Examples of the Turkish pictorial arts outside the Topkapu Saray Library in Istanbul are rare--a well-known fact that Dr. Binney demonstrates again in his introduction to this catalogue. Why so rare? For one thing, this art never achieved widespread support or appreciation within the Turkish empire. It was fostered only by the sultan's court and kept within the confines of the royal establishments. The fact that the Turks were Sunnis who followed the canonical law more strictly than, for instance, the Iranians may have a good deal to do with the limited number of existing works illustrated by Turkish miniature painters. The major museums and libraries of the world possess relatively few examples of Turkish miniature paintings and manuscripts. In the private sector, only two enthusiastic connoisseurs have acquired large and representative collections: the late Sir Chester Beatty, founder of the Chester Beatty Library in Dublin, and the author of this catalogue, a loyal friend of the Islamic Department of The Metropolitan Museum of Art. Aided by his connoisseurship and wide knowledge of the arts of the Near and Middle East, Dr. Binney has been able by painstaking and well-informed endeavors to collect every form of Turkish painting. His collection ranges from a rare example of the late fifteenth century through the more numerous paintings of the nineteenth century, when the art was increasingly influenced by European styles. The collection contains historical accounts of the lives and accomplishments of earlier sultans as well as illuminated works dealing with saints or legendary heroes. There are portraits of sultans and of handsome youths and maidens, renditions of historic buildings, decorative illuminations, and various forms of the art of calligraphy. While Turkish painting was contemporary with that of Iran and Mughal India, in nearly all ways it was distinguishable, not only in its different forms of dress and headgear and the more formal presentation of the figures, but also in its more simplified and at time monumentalized forms of trees, landscapes, and architecture. At the same time the Turkish artist had a keen eye for details, an attitude that led in the course of time to realistic portrayals of figures and scenes. Such close observation eventually made the artists turn to exaggeration--even caricature. All of this helped to make Turkish painting something unique, even though its heritage from Persian painting and its European influences are easily recognized. Dr. Binney's well-illustrated catalogue offers the general public and the student alike an excellent survey of Turkish painting and an insight into the special qualities of this diverse art. His collection, so generously lent to us, represents a cultural achievement worthy of honoring the Republic of Turkey on the occasion of its fiftieth anniversary. This book was originally published in 1973 and has gone out of print. This edition is a print-on-demand version of the original book.]

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