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Early Cinema in Russia And Its Cultural Reception | Tsivian | BRAND NEW SEALED
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eBay item number:167397075327
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Early Cinema in Russia and Its Cultural Reception Paperback Yuri
- ISBN
- 9780226814261
About this product
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226814262
ISBN-13
9780226814261
eBay Product ID (ePID)
740528
Product Key Features
Number of Pages
296 Pages
Language
English
Publication Name
Early Cinema in Russia and Its Cultural Reception
Subject
Film / History & Criticism
Publication Year
1998
Type
Textbook
Subject Area
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.1 in
Item Weight
15.6 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
98-004704
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.430947
Table Of Content
List of illustrations General editors' preface Acknowledgments Abbreviations Note on transliteration, translation and the Russian calendar Foreword Tom Gunning Introduction Part I 1. Early cinema architecture and the evolution of the social composition of cinema 2. Projection technique as a factor in aesthetic perception 3. The acoustics of cinema performance 4. The reception of interference Part II 5. Shifting textual boundaries 6. The reception of the moving image 7. The reception of narrative categories 8. The receptions of narrative devices Postscript Notes Bibliography Index
Synopsis
Early Cinema in Russia chronicles one of the great lost periods in cinema history, that of Pre-Revolutionary Russia. In contrast to standard film histories, Yuri Tsivian focuses on reflected images: it features the historical film-goer and early writings on film as well as examining the physical elements of cinematic performance. "Tsivian casts a probing beam of illumination into some of the most obscure areas of film history. And the terrain he lights up with his careful assembly and insightful reading of the records of early film viewing in Russia not only changes our sense of the history of this period but also . . . causes us to re-evaluate some of our most basic theoretical and historical assumptions about what a film is and how it affects its audiences."--Tom Gunning, from the Foreword " Early Cinema in Russia . . . reveals Tsivian's strengths very well and demonstrates why he is . . . the finest film historian of his generation in the former Soviet Union."--Denise Y. Youngblood, Historical Journal of Film, Radio, and Television "A work of fundamental importance."--Julian Graffy, Recent Studies of Russian and Soviet Cinema, Early Cinema in Russia chronicles one of the great lost periods in cinema history, that of Pre-Revolutionary Russia. In contrast to standard film histories, Yuri Tsivian focuses on reflected images: it features the historical film-goer and early writings on film as well as examining the physical elements of cinematic performance. "Tsivian casts a probing beam of illumination into some of the most obscure areas of film history. And the terrain he lights up with his careful assembly and insightful reading of the records of early film viewing in Russia not only changes our sense of the history of this period but also . . . causes us to re-evaluate some of our most basic theoretical and historical assumptions about what a film is and how it affects its audiences."-Tom Gunning, from the Foreword " Early Cinema in Russia . . . reveals Tsivian's strengths very well and demonstrates why he is . . . the finest film historian of his generation in the former Soviet Union."-Denise Y. Youngblood, Historical Journal of Film, Radio, and Television "A work of fundamental importance."-Julian Graffy, Recent Studies of Russian and Soviet Cinema
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