
A Bag Worth a Pony: The Art of the Ojibwe Bandolier Bag, Anderson, Marcia G., 97
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Sep 11, 04:51Sep 11, 04:51
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A Bag Worth a Pony: The Art of the Ojibwe Bandolier Bag, Anderson, Marcia G., 97
US $17.98
ApproximatelyS$ 23.26
Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Dallas, Texas, United States
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eBay item number:157236432818
Item specifics
- Condition
- ISBN
- 9781681340296
About this product
Product Identifiers
Publisher
Minnesota Historical Society Press
ISBN-10
1681340291
ISBN-13
9781681340296
eBay Product ID (ePID)
234622865
Product Key Features
Book Title
Bag Worth a Pony : the Art of the Ojibwe Bandolier Bag
Number of Pages
272 Pages
Language
English
Publication Year
2017
Topic
Ethnic Studies / Native American Studies, Native American
Illustrator
Yes
Genre
Social Science, History
Format
Trade Paperback
Dimensions
Item Length
11 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2016-047354
TitleLeading
A
Synopsis
Bandolier bags, or gashkibidaaganag--the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes--are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag. Over the years, non-Indian collectors and ethnographers, struck by the bags' cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony, Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves. Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag's makeup and meaning. She also offers a tour of Minnesota's seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of seven master beadworkers., Bandolier bags, or gashkibidaaganag--the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes--are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag. Over the years, non-Indian collectors and ethnographers, struck by the bags' cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony , Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves. Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag's makeup and meaning. She also offers a tour of Minnesota's seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of seven master beadworkers., A celebration, illumination, and study of the spectacular beaded bags made by the Ojibwe of Minnesota., Bandolier bags, or gashkibidaaganag the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag. Over the years, non-Indian collectors and ethnographers, struck by the bags' cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony, Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves. Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag's makeup and meaning. She also offers a tour of Minnesota's seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of six master beadworkers."
LC Classification Number
E99.C6A446 2017
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