
The Third Man (BFI Film Classics), White, Rob, 9780851709635
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Sep 01, 23:01Sep 01, 23:01
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The Third Man (BFI Film Classics), White, Rob, 9780851709635
US $15.08
ApproximatelyS$ 19.48
Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Dallas, Texas, United States
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Estimated between Wed, 1 Oct and Tue, 7 Oct to 94104
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eBay item number:157212601882
Item specifics
- Condition
- ISBN
- 9780851709635
About this product
Product Identifiers
Publisher
BFI Publishing
ISBN-10
085170963X
ISBN-13
9780851709635
eBay Product ID (ePID)
6038767656
Product Key Features
Book Title
Third Man
Number of Pages
88 Pages
Language
English
Publication Year
2003
Topic
Film / General, Film / Guides & Reviews, Film / Reference, Film / History & Criticism
Illustrator
Yes
Genre
Performing Arts
Book Series
Bfi Film Classics Ser.
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
5.5 Oz
Item Length
7.4 in
Item Width
5.3 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
21
TitleLeading
The
Number of Volumes
1 vol.
Dewey Decimal
791.4/372
Synopsis
A window is thrown open and sudden light illuminates the face of Orson Welles. Harry Lime's return from the dead in 'The Third Man' (1949), Carol Reed's unique thriller set in occupied Vienna, is one of the most famous scenes in all cinema. But there is more besides: the zither score, the tilted shots, the cuckoo-clock speech, the desperate manhunt in the city sewers. A British-American co-production overseen by Alexander Korda and David O. Selznick, 'The Third Man' was written by Graham Greene, photographed by Robert Krasker and featured, along with Welles, Joseph Cotten, Alida Valli and Trevor Howard. All of the did superb work under Reed's subtle direction. After 'The Third Man', Carol Reed was hailed as one of the world's great directors. This title sets out to understand what kind of artist Reed was and whether he deserved such accolades. Rob White explores how the film came to be made and seeks to explain its fascination., A window is thrown open and the sudden light illuminates the face of Orson Welles. Harry Lime's return from the dead inThe Third Man(1949), Carol Reed's unique thriller set in occupied Vienna, is one of the most famous scenes in all cinema. But there is more besides: the zither score, the tilted shots, the cuckoo-clock speech, the desperate manhunt in the city sewers. A British-American co-production overseen by Alexander Korda and David O. Selznick,The Third Manwas written by Graham Greene, photographed by Robert Krasker and featured, along with Welles, Joseph Cotten, Alida Valli and Trevor Howard. All of them did superb work under Reed's subtle direction. AfterThe Third ManReed was hailed as one of the world's great directors. Rob White sets out to understand what kind of artist Reed was and whether he deserved such accolades. He explores how the film came to be made and in so doing unearths new material from the archives. Above all he seeks to explain the fascination ofThe Third Man,which is personified in the charismatic antihero Harry Lime--an endlessly beguiling figure even though he is an amoral killer.
LC Classification Number
PN1993.5.U6
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