
Notes on the Cinematograph (New York Review Books Classics), Bresson, Robert, Ve
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Notes on the Cinematograph (New York Review Books Classics), Bresson, Robert, Ve
US $10.38
ApproximatelyS$ 13.33
Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Item specifics
- Condition
- ISBN
- 9781681370248
About this product
Product Identifiers
Publisher
New York Review of Books, Incorporated, T.H.E.
ISBN-10
1681370247
ISBN-13
9781681370248
eBay Product ID (ePID)
220308907
Product Key Features
Book Title
Notes on the Cinematograph
Number of Pages
112 Pages
Language
English
Publication Year
2016
Topic
Film / General, Film / Guides & Reviews, Film / Direction & Production, Film / History & Criticism
Genre
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
4.8 Oz
Item Length
7.9 in
Item Width
5 in
Additional Product Features
Intended Audience
Trade
LCCN
2016-019370
Dewey Edition
23
Reviews
"Short, aphoristic fragments that guide Bresson's film making. Scribbed down as 'notes to self,' reading them in whole is astonishing & inspiring, a totality of a brilliant filmmaker." --Mike Kitchell, HTMLGiant, "Half-philosophy, half-poetry, Notes on the Cinematograph reads in places like The Art of War for filmmakers." --John Semley, The A.V. Club "The power of Bresson's films lies in the fact that his purity and fastidiousness are at the same time an idea about life, about what Cocteau called 'inner style,' about the most serious way of being human." --Susan Sontag "Short, aphoristic fragments that guide Bresson's film making. Scribbed down as 'notes to self,' reading them in whole is astonishing & inspiring, a totality of a brilliant filmmaker." --Mike Kitchell, HTMLGiant, "The collection Bresson on Bresson: Interviews 1943-1983 and Bresson's own Notes on the Cinematograph are primers for the gradual understanding of Robert Bresson, to paraphrase Gertrude Stein...Notes on the Cinematograph is the ultimate refinement of Bresson's thought, a loosely grouped succession of aphorisms and Zen koans." --J. Hoberman, The New York Times "Half-philosophy, half-poetry, Notes on the Cinematograph reads in places like The Art of War for filmmakers." --John Semley, The A.V. Club "The power of Bresson's films lies in the fact that his purity and fastidiousness are at the same time an idea about life, about what Cocteau called 'inner style,' about the most serious way of being human." --Susan Sontag "Short, aphoristic fragments that guide Bresson's film making. Scribbed down as 'notes to self,' reading them in whole is astonishing & inspiring, a totality of a brilliant filmmaker." --Mike Kitchell, HTMLGiant
Dewey Decimal
791.43023
Synopsis
The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors--models, as he called them--and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped , Pickpocket , Diary of a Country Priest , and Lancelot of the Lake . From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for -students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet , for anyone who responds to the claims of the imagination at its most searching and rigorous., The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors--models, as he called them--and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped , Pickpocket , Diary of a Country Priest , and Lancelot of the Lake . From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet , for anyone who responds to the claims of the imagination at its most searching and rigorous., The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors-models, as he called them-and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped , Pickpocket , Diary of a Country Priest , and Lancelot of the Lake . From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for -students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet , for anyone who responds to the claims of the imagination at its most searching and rigorous.
LC Classification Number
PN1995.B7313 2016
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