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Notes on the Cinematograph (New York Review Books Classics), Bresson, Robert, Ve
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Notes on the Cinematograph (New York Review Books Classics), Bresson, Robert, Ve
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Notes on the Cinematograph (New York Review Books Classics), Bresson, Robert, Ve

US $10.38
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    eBay item number:157212511860
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    Item specifics

    Condition
    Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
    ISBN
    9781681370248
    Category

    About this product

    Product Identifiers

    Publisher
    New York Review of Books, Incorporated, T.H.E.
    ISBN-10
    1681370247
    ISBN-13
    9781681370248
    eBay Product ID (ePID)
    220308907

    Product Key Features

    Book Title
    Notes on the Cinematograph
    Number of Pages
    112 Pages
    Language
    English
    Publication Year
    2016
    Topic
    Film / General, Film / Guides & Reviews, Film / Direction & Production, Film / History & Criticism
    Genre
    Performing Arts
    Author
    Robert Bresson
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.4 in
    Item Weight
    4.8 Oz
    Item Length
    7.9 in
    Item Width
    5 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2016-019370
    Dewey Edition
    23
    Reviews
    "Short, aphoristic fragments that guide Bresson's film making. Scribbed down as 'notes to self,' reading them in whole is astonishing & inspiring, a totality of a brilliant filmmaker." --Mike Kitchell, HTMLGiant, "Half-philosophy, half-poetry, Notes on the Cinematograph reads in places like The Art of War for filmmakers." --John Semley, The A.V. Club "The power of Bresson's films lies in the fact that his purity and fastidiousness are at the same time an idea about life, about what Cocteau called 'inner style,' about the most serious way of being human." --Susan Sontag "Short, aphoristic fragments that guide Bresson's film making. Scribbed down as 'notes to self,' reading them in whole is astonishing & inspiring, a totality of a brilliant filmmaker." --Mike Kitchell, HTMLGiant, "The collection  Bresson on Bresson: Interviews 1943-1983  and Bresson's own  Notes on the Cinematograph  are primers for the gradual understanding of Robert Bresson, to paraphrase Gertrude Stein...Notes on the Cinematograph is the ultimate refinement of Bresson's thought, a loosely grouped succession of aphorisms and Zen koans." --J. Hoberman,  The New York Times "Half-philosophy, half-poetry, Notes on the Cinematograph reads in places like The Art of War for filmmakers." --John Semley, The A.V. Club "The power of Bresson's films lies in the fact that his purity and fastidiousness are at the same time an idea about life, about what Cocteau called 'inner style,' about the most serious way of being human." --Susan Sontag "Short, aphoristic fragments that guide Bresson's film making. Scribbed down as 'notes to self,' reading them in whole is astonishing & inspiring, a totality of a brilliant filmmaker." --Mike Kitchell, HTMLGiant
    Dewey Decimal
    791.43023
    Synopsis
    The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors--models, as he called them--and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped , Pickpocket , Diary of a Country Priest , and Lancelot of the Lake . From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for -students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet , for anyone who responds to the claims of the imagination at its most searching and rigorous., The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors--models, as he called them--and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped , Pickpocket , Diary of a Country Priest , and Lancelot of the Lake . From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for ­students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet , for anyone who responds to the claims of the imagination at its most searching and rigorous., The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors-models, as he called them-and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped , Pickpocket , Diary of a Country Priest , and Lancelot of the Lake . From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for -students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet , for anyone who responds to the claims of the imagination at its most searching and rigorous.
    LC Classification Number
    PN1995.B7313 2016

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