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Defiant Indigeneity: The Politics of Hawaiian Performance (Critical Indigeneitie
US $25.56
ApproximatelyS$ 32.80
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Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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eBay item number:146575434499
Item specifics
- Condition
- Book Title
- Defiant Indigeneity: The Politics of Hawaiian Performance (Cri
- ISBN
- 9781469640556
About this product
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
1469640554
ISBN-13
9781469640556
eBay Product ID (ePID)
240170338
Product Key Features
Number of Pages
240 Pages
Publication Name
Defiant Indigeneity : the Politics of Hawaiian Performance
Language
English
Subject
General, Anthropology / Cultural & Social, Native American
Publication Year
2018
Type
Textbook
Subject Area
Performing Arts, Social Science, History
Series
Critical Indigeneities Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
13 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2017-033929
Reviews
A vital contribution . . . Scale[s] an impressive breadth of performance media that demonstrate the diversity of Kanaka Maoli life and resistance to colonialism."-- Drama Review, Reckons with issues that affect many of our communities, from the consumption of our lands and cultures to continued marginalization of varied expression."-- H-Net Reviews, A vital contribution. . . . Scale[s] an impressive breadth of performance media that demonstrate the diversity of Kanaka Maoli life and resistance to colonialism."-- The Drama Review, A vital contribution . . . Scale[s] an impressive breadth of performance media that demonstrate the diversity of Kanaka Maoli life and resistance to colonialism.-- The Drama Review, A vital contribution . . . Scale[s] an impressive breadth of performance media that demonstrate the diversity of Kanaka Maoli life and resistance to colonialism."-- The Drama Review, "Reckons with issues that affect many of our communities, from the consumption of our lands and cultures to continued marginalization of varied expression."-- H-Net Reviews, "One of those rare books that captures the spirit of a moment. . . . If questions about the performance and politics of 'authenticity' inform and bedevil your work, then this book is for you."-- Reading Religion, "A vital contribution. . . . Scale[s] an impressive breadth of performance media that demonstrate the diversity of Kanaka Maoli life and resistance to colonialism."-- The Drama Review, A vital contribution. . . . Scale[s] an impressive breadth of performance media that demonstrate the diversity of Kanaka Maoli life and resistance to colonialism.-- The Drama Review, Reckons with issues that affect many of our communities, from the consumption of our lands and cultures to continued marginalization of varied expression.-- H-Net Reviews, One of those rare books that captures the spirit of a moment. . . . If questions about the performance and politics of 'authenticity' inform and bedevil your work, then this book is for you.-- Reading Religion, One of those rare books that captures the spirit of a moment. . . . If questions about the performance and politics of 'authenticity' inform and bedevil your work, then this book is for you."-- Reading Religion
Illustrated
Yes
Synopsis
"Aloha" is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, and drag performance, Stephanie Nohelani Teves shows that misunderstanding of the concept has not prevented the Kanaka Maoli from using it to create and empower community., "Aloha" is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. For K& 257;naka Maoli people, the concept of "aloha" is a representation and articulation of their identity, despite its misappropriation and commandeering by non-Native audiences in the form of things like the "hula girl" of popular culture. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, drag performance, and even ghost tours from the twentieth century to the present, Stephanie Nohelani Teves shows that misunderstanding of the concept by non-Native audiences has not prevented the K& 257;naka Maoli from using it to create and empower community and articulate its distinct Indigenous meaning.While Native Hawaiian artists, activists, scholars, and other performers have labored to educate diverse publics about the complexity of Indigenous Hawaiian identity, ongoing acts of violence against Indigenous communities have undermined these efforts. In this multidisciplinary work, Teves argues that Indigenous peoples must continue to embrace the performance of their identities in the face of this violence in order to challenge settler-colonialism and its efforts to contain and commodify Hawaiian Indigeneity., "Aloha" is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. For K�naka Maoli people, the concept of "aloha" is a representation and articulation of their identity, despite its misappropriation and commandeering by non-Native audiences in the form of things like the "hula girl" of popular culture. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, drag performance, and even ghost tours from the twentieth century to the present, Stephanie Nohelani Teves shows that misunderstanding of the concept by non-Native audiences has not prevented the K�naka Maoli from using it to create and empower community and articulate its distinct Indigenous meaning.While Native Hawaiian artists, activists, scholars, and other performers have labored to educate diverse publics about the complexity of Indigenous Hawaiian identity, ongoing acts of violence against Indigenous communities have undermined these efforts. In this multidisciplinary work, Teves argues that Indigenous peoples must continue to embrace the performance of their identities in the face of this violence in order to challenge settler-colonialism and its efforts to contain and commodify Hawaiian Indigeneity., Aloha is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. For Kanaka Maoli people, the concept of aloha is a representation and articulation of their identity, despite its misappropriation and commandeering by non-Native audiences in the form of things like the hula girl of popular culture. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, drag performance, and even ghost tours from the twentieth century to the present, Stephanie Nohelani Teves shows that misunderstanding of the concept by non-Native audiences has not prevented the Kanaka Maoli from using it to create and empower community and articulate its distinct Indigenous meaning. While Native Hawaiian artists, activists, scholars, and other performers have labored to educate diverse publics about the complexity of Indigenous Hawaiian identity, ongoing acts of violence against Indigenous communities have undermined these efforts. In this multidisciplinary work, Teves argues that Indigenous peoples must continue to embrace the performance of their identities in the face of this violence in order to challenge settler-colonialism and its efforts to contain and commodify Hawaiian Indigeneity.
LC Classification Number
DU624.65.T48 2018
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