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Music, Space and Place: Popular Music and Cultural Identity by Bennett, Andy
by Bennett, Andy | PB | VeryGood
US $29.64
ApproximatelyS$ 37.84
Condition:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Free Economy Shipping.
Located in: Aurora, Illinois, United States
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Estimated between Mon, 28 Jul and Fri, 1 Aug to 94104
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30 days return. Seller pays for return shipping.
Coverage:
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eBay item number:146406981131
Item specifics
- Condition
- Very Good
- Seller Notes
- Binding
- Paperback
- Book Title
- Music, Space and Place
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780754655749
About this product
Product Identifiers
Publisher
Routledge
ISBN-10
0754655741
ISBN-13
9780754655749
eBay Product ID (ePID)
52172320
Product Key Features
Number of Pages
238 Pages
Language
English
Publication Name
Music, Space and Place : Popular Music and Cultural Identity
Publication Year
2005
Subject
Genres & Styles / Rap & Hip Hop, General, Popular Culture, Genres & Styles / International, Genres & Styles / Pop Vocal
Type
Textbook
Subject Area
Music, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
15.2 Oz
Item Length
9.2 in
Item Width
6.2 in
Additional Product Features
Intended Audience
College Audience
Illustrated
Yes
Table Of Content
Contents: Introduction, Sheila Whiteley; Music, space and place, Andy Bennett; Rap and Hip Hop: community and identity, Sheila Whiteley; Musical production and the politics of desire, Stan Hawkins. Part 1 Music Space and Place: The musical construction of the diaspora: the case of reggae and Rastafari, Sarah Daynes; Who is the 'other' in the Balkans? Local ethnic music as a different source of identities in Bulgaria, Claire Levy; 'Power-geometry' in motion: space, place and gender in the lyra music of Crete, Kevin Dawe; Interrogating the production of sound and place: the Bristol phenomenon, from Lunatic Fringe to Worldwide Massive, Peter Webb. Part 2 Rap and Hip Hop: Community and Cultural Identity: The emergence of rap Cubano: an historical perspective, Deborah Pacini Hernandez and Reebee Garofalo; Doin' damage in my native language: the use of 'resistance vernaculars' in Hip Hop in Europe and Aotearoa/New Zealand, Tony Mitchell; Rapp'in' the Cape: style and memory, power in community, Lee Watkins. Part 3 Musical Production and the Politics of Desire: Positioning the producer: gender divisions in creative labour and value, Emma Mayhew; 'Believe': vocoders, digital female identity and camp, Kay Dickinson; On performativity and production in Madonna's 'Music', Stan Hawkins; He's got the power: the politics of production in girl group music, Jacqueline Warwick. Bibliography; Index.
Synopsis
Music, Space and Place examines the urban and rural spaces in which music is experienced, produced and consumed. The editors of this collection have brought together new and exciting perspectives by international researchers and scholars working in the field of popular music studies. Underpinning all of the contributions is the recognition that musical processes take place within a particular space and place, where these processes are shaped both by specific musical practices and by the pressures and dynamics of political and economic circumstances.Important discourses are explored concerning national culture and identity, as well as how identity is constructed through the exchanges that occur between displaced peoples of the world's many diasporas. Music helps to articulate a shared sense of community among these dispersed people, carving out spaces of freedom which are integral to personal and group consciousness. A specific focal point is the rap and hip hop music that has contributed towards a particular sense of identity as indigenous resistance vernaculars for otherwise socially marginalized minorities in Cuba, France, Italy, New Zealand and South Africa. New research is also presented on the authorial presence in production within the domain of the commercially driven Anglo-American music industry. The issue of authorship and creativity is tackled alongside matters relating to the production of musical texts themselves, and demonstrates the gender politics in pop.Underlying Music, Space and Place, is the question of how the disciplines informing popular music studies - sociology, musicology, cultural studies, media studies and feminism - have developed within a changing intellectual climate. The book therefore covers a wide range of subject matter in relation to space and place, including community and identity, gender, race, 'vernaculars', power, performance and production., Music, Space and Place examines the urban and rural spaces in which music is experienced, produced and consumed. The editors of this collection have brought together new and exciting perspectives by international researchers and scholars working in the field of popular music studies. Underpinning all of the contributions is the recognition that musical processes take place within a particular space and place, where these processes are shaped both by specific musical practices and by the pressures and dynamics of political and economic circumstances. Important discourses are explored concerning national culture and identity, as well as how identity is constructed through the exchanges that occur between displaced peoples of the world's many diasporas. A specific focal point is the rap and hip hop music that has contributed towards a particular sense of identity as indigenous resistance vernaculars for otherwise socially marginalized minorities in Cuba, France, Italy, New Zealand and South Africa. New research is also presented on the authorial presence in production within the domain of the commercially driven Anglo-American music industry. The issue of authorship and creativity is tackled alongside matters relating to the production of musical texts themselves, and demonstrates the gender politics in pop., Music, Space and Place examines the urban and rural spaces in which music is experienced, produced and consumed. The editors of this collection have brought together new and exciting perspectives by international researchers and scholars working in the field of popular music studies. Underpinning all of the contributions is the recognition that musical processes take place within a particular space and place, where these processes are shaped both by specific musical practices and by the pressures and dynamics of political and economic circumstances. Important discourses are explored concerning national culture and identity, as well as how identity is constructed through the exchanges that occur between displaced peoples of the world's many diasporas. Music helps to articulate a shared sense of community among these dispersed people, carving out spaces of freedom which are integral to personal and group consciousness. A specific focal point is the rap and hip hop music that has contributed towards a particular sense of identity as indigenous resistance vernaculars for otherwise socially marginalized minorities in Cuba, France, Italy, New Zealand and South Africa. New research is also presented on the authorial presence in production within the domain of the commercially driven Anglo-American music industry. The issue of authorship and creativity is tackled alongside matters relating to the production of musical texts themselves, and demonstrates the gender politics in pop. Underlying Music, Space and Place, is the question of how the disciplines informing popular music studies - sociology, musicology, cultural studies, media studies and feminism - have developed within a changing intellectual climate. The book therefore covers a wide range of subject matter in relation to space and place, including community and identity, gender, race, 'vernaculars', power, performance and production.
LC Classification Number
ML3470.M896 2005
Item description from the seller
Seller feedback (5,687,133)
- e***k (925)- Feedback left by buyer.Past monthVerified purchaseJust as described and fast shipping. Thanks
- y***3 (315)- Feedback left by buyer.Past monthVerified purchaseExcellent condition. Fast delivery. Fair price.
- e***l (1733)- Feedback left by buyer.Past monthVerified purchaseGreat deal & fast shipping.
Seller feedback (5,687,133)
- e***k (925)- Feedback left by buyer.Past monthVerified purchaseJust as described and fast shipping. Thanks
- y***3 (315)- Feedback left by buyer.Past monthVerified purchaseExcellent condition. Fast delivery. Fair price.
- e***l (1733)- Feedback left by buyer.Past monthVerified purchaseGreat deal & fast shipping.