Picture 1 of 1

Gallery
Picture 1 of 1

Have one to sell?
Projections: Comics and the History of Twenty-First-C entury Storytelling
by Gardner, Jared | PB | VeryGood
US $22.07
ApproximatelyS$ 28.42
Condition:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
2 available
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Shipping:
Free USPS Media MailTM.
Located in: Aurora, Illinois, United States
Delivery:
Estimated between Sat, 9 Aug and Thu, 14 Aug
Returns:
30 days return. Seller pays for return shipping.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:146379459023
Item specifics
- Condition
- Very Good
- Seller Notes
- Binding
- Paperback
- Book Title
- Projections
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780804771474
About this product
Product Identifiers
Publisher
Stanford University Press
ISBN-10
0804771472
ISBN-13
9780804771474
eBay Product ID (ePID)
108273077
Product Key Features
Number of Pages
240 Pages
Publication Name
Projections : Comics and the History of Twenty-First-Century Storytelling
Language
English
Subject
American / General, Rhetoric, Film / History & Criticism, Comics & Graphic Novels
Publication Year
2012
Type
Textbook
Subject Area
Literary Criticism, Performing Arts, Language Arts & Disciplines
Series
Post*45 Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
17.6 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-031184
Dewey Edition
23
Reviews
"Beginning with a bullish denunciation of those commonplace misconceptions which have, for over a century, dogged the medium of comic books . . . Jared Gardner's serious, provocative book . . . examine[s] the progress of the form from a variety of surprising angles."-Jonathan Barnes, Times Literary Supplement, "[ Projections ] is an informed and informative exploration and analysis of the history of comics and graphic novels within the context of an expanding interactive media that has melded 19th century comic strips into a 21st century literary and storytelling art form that it is today. A seminal work of superlative scholarship, Projections . . . is also a fascinating read for anyone with an interest in the graphic novel, its origins, and its continuing evolution as a literary art form."— Midwest Book Review, "Gardner's study may prove to be crucial in understanding how the trends and conventions of the past influence the way this distinctive art form tells stories. Projections is a valuable addition to comics studies that can also be useful for scholars and historians of film, literature, and cultural studies in its wide historical scope and interdisciplinary analysis."--Qiana Whitted, CLIO: A Journal of Literature, History, and the Philosophy of History, "Jared Gardner's Projections: Comics and the History of Twenty-First-Century Storytelling contains some of the most fascinating and theoretically advanced writing about comics to date, and it marks a watershed moment not only in comics study but also in postclassical narratology, American Studies, and related areas of research . . . Gardner's fascinating account to a transnational vantage point from which we can trace the history and envision the future of comics."--Daniel Stein, Amerikastudien, Projections is original, provocative, deeply informed, and a much needed corrective to the presentist bias of comics studies. Gardner says important, eye-opening things about comics, film, and audience, things that should inform all our work from|9780804771474|, "Gardner's study may prove to be crucial in understanding how the trends and conventions of the past influence the way this distinctive art form tells stories. Projections is a valuable addition to comics studies that can also be useful for scholars and historians of film, literature, and cultural studies in its wide historical scope and interdisciplinary analysis."—Qiana Whitted, CLIO: A Journal of Literature, History, and the Philosophy of History, "A succinct and savvy cultural history of American comics in the long twentieth century, Projections is attentive to reading publics and the actual experience of reading comics across different forms, formats, and genres. Focusing on the rise of comics as one media form among many, Gardner crucially asks us to consider its 'interactivity' not only as an abstraction but as a practice."—Hillary Chute, University of Chicago, "A succinct and savvy cultural history of American comics in the long twentieth century, Projections is attentive to reading publics and the actual experience of reading comics across different forms, formats, and genres. Focusing on the rise of comics as one media form among many, Gardner crucially asks us to consider its 'interactivity' not only as an abstraction but as a practice."--Hillary Chute, University of Chicago, "Jared Gardner's Projections: Comics and the History of Twenty-First-Century Storytelling contains some of the most fascinating and theoretically advanced writing about comics to date, and it marks a watershed moment not only in comics study but also in postclassical narratology, American Studies, and related areas of research . . . Gardner's fascinating account to a transnational vantage point from which we can trace the history and envision the future of comics."—Daniel Stein, Amerikastudien, " Projections is original, provocative, deeply informed, and a much needed corrective to the presentist bias of comics studies. Gardner says important, eye-opening things about comics, film, and audience, things that should inform all our work from now on. A landmark study."--Charles Hatfield, California State University, Northridge, author of Alternative Comics: An Emerging Literature, "[ Projections ] is an informed and informative exploration and analysis of the history of comics and graphic novels within the context of an expanding interactive media that has melded 19th century comic strips into a 21st century literary and storytelling art form that it is today. A seminal work of superlative scholarship, Projections . . . is also a fascinating read for anyone with an interest in the graphic novel, its origins, and its continuing evolution as a literary art form."-- Midwest Book Review, ". . . Gardner's study may prove to be crucial in understanding how the trends and conventions of the past influence the way this distinctive art form tells stories. Projections is a valuable addition to comics studies that can also be useful for scholars and historians of film, literature, and cultural studies in its wide historical scope and interdisciplinary analysis." - Qiana Whitted, CLIO: A Journal of Literature, History, and the Philosophy of History, "Beginning with a bullish denunciation of those commonplace misconceptions which have, for over a century, dogged the medium of comic books . . . Jared Gardner's serious, provocative book . . . examine[s] the progress of the form from a variety of surprising angles."--Jonathan Barnes, Times Literary Supplement, "Gardner's study may prove to be crucial in understanding how the trends and conventions of the past influence the way this distinctive art form tells stories. Projections is a valuable addition to comics studies that can also be useful for scholars and historians of film, literature, and cultural studies in its wide historical scope and interdisciplinary analysis."-Qiana Whitted, CLIO: A Journal of Literature, History, and the Philosophy of History, " Projections is original, provocative, deeply informed, and a much needed corrective to the presentist bias of comics studies. Gardner says important, eye-opening things about comics, film, and audience, things that should inform all our work from now on. A landmark study."—Charles Hatfield, California State University, Northridge, author of Alternative Comics: An Emerging Literature, "Beginning with a bullish denunciation of those commonplace misconceptions which have, for over a century, dogged the medium of comic books . . . Jared Gardner's serious, provocative book . . . examine[s] the progress of the form from a variety of surprising angles."—Jonathan Barnes, Times Literary Supplement, "[ Projections ] is an informed and informative exploration and analysis of the history of comics and graphic novels within the context of an expanding interactive media that has melded 19th century comic strips into a 21st century literary and storytelling art form that it is today. A seminal work of superlative scholarship, Projections . . . is also a fascinating read for anyone with an interest in the graphic novel, its origins, and its continuing evolution as a literary art form."- Midwest Book Review, " Projections is original, provocative, deeply informed, and a much needed corrective to the presentist bias of comics studies. Gardner says important, eye-opening things about comics, film, and audience, things that should inform all our work from now on. A landmark study."-Charles Hatfield, California State University, Northridge, author of Alternative Comics: An Emerging Literature, "A succinct and savvy cultural history of American comics in the long twentieth century, Projections is attentive to reading publics and the actual experience of reading comics across different forms, formats, and genres. Focusing on the rise of comics as one media form among many, Gardner crucially asks us to consider its 'interactivity' not only as an abstraction but as a practice."-Hillary Chute, University of Chicago, " Projections is original, provocative, deeply informed, and a much needed corrective to the presentist bias of comics studies. Gardner says important, eye-opening things about comics, film, and audience, things that should inform all our work from now on. A landmark study."--Charles Hatfield, California State University, Northridge, author of Alternative Comics: An Emerging Literature "A succinct and savvy cultural history of American comics in the long twentieth century, Projections is attentive to reading publics and the actual experience of reading comics across different forms, formats, and genres. Focusing on the rise of comics as one media form among many, Gardner crucially asks us to consider its 'interactivity' not only as an abstraction but as a practice."--Hillary Chute, University of Chicago
Illustrated
Yes
Dewey Decimal
741.5/973
Synopsis
When Art Spiegelman's Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invites--indeed requires--readers to help shape the stories being told. Today, with the rise of interactive media, the creative techniques and the reading practices comics have been experimenting with for a century are now in universal demand. Recounting the history of comics from the nineteenth-century rise of sequential comics to the newspaper strip, through comic books and underground comix, to the graphic novel and webcomics, Gardner shows why they offer the best models for rethinking storytelling in the twenty-first century. In the process, he reminds us of some beloved characters from our past and present, including Happy Hooligan, Krazy Kat, Crypt Keeper, and Mr. Natural., A history of the modern sequential comic form from the late nineteenth century through today, focusing on the unique ways in which it tells stories and interacts with readers.
LC Classification Number
PN6725
Item description from the seller
Seller feedback (5,697,924)
- h***h (67)- Feedback left by buyer.Past monthVerified purchaseReally fast shipping, in good condition, thank you!
- s***u (1695)- Feedback left by buyer.Past monthVerified purchaseArrive before said time and in excellent condition.
- a***r (540)- Feedback left by buyer.Past monthVerified purchaseFast delivery