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Small Nation, Global Cinema: The New Danish - Paperback, by Hjort Mette - Good

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Book Title
Small Nation, Global Cinema: The New Danish Cinema (Volume 15) (P
ISBN
9780816646494

About this product

Product Identifiers

Publisher
University of Minnesota Press
ISBN-10
081664649X
ISBN-13
9780816646494
eBay Product ID (ePID)
21038730837

Product Key Features

Number of Pages
336 Pages
Language
English
Publication Name
Small Nation, Global Cinema : the New Danish Cinema
Publication Year
2005
Subject
Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Author
Mette Hjort
Series
Public Worlds Ser.
Format
Perfect

Dimensions

Item Height
0.9 in
Item Weight
16.8 Oz
Item Length
9 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2005-002054
Dewey Edition
22
Series Volume Number
15
Illustrated
Yes
Dewey Decimal
791.43/09489
Synopsis
Small Nation, Global Cinema engages the effects of globalization from the perspective of small nations. Focusing her study on the specific cultural context of the international film market, Mette Hjort argues that the New Danish Cinema presents an opportunity to understand the effects of globalization within the culture and economy of a privileged small nation. Hjort offers two key strategies underwriting the transformation and globalization of contemporary Danish cinema--the processes of cultural circulation and the psychological efficacy of heritage. Exploring the Dogma 95 movement initiated by Lars von Trier and Thomas Vinterberg as well as films by Erik Clausen, Gabriel Axel, Henning Carlsen, and Ole Bornedal, among others, Hjort examines means for cinematic globalization specific to Denmark, but then evolves her investigation into a truly comparative framework encompassing references to Hong Kong, Latin America, and Hollywood filmmaking. Providing a fresh way of looking at cultural influence in the era of globalization, Hjort's concept of "small" nation points as much to the dynamics of recognition, indifference, and participation as it does to more common measures of population size, economic strength, or linguistic reach. Mette Hjort is professor of intercultural studies at Aalborg University., Small Nation, Global Cinema engages the effects of globalization from the perspective of small nations. Focusing her study on the specific cultural context of the international film market, Mette Hjort argues that the New Danish Cinema presents an opportunity to understand the effects of globalization within the culture and economy of a privileged small nation. Hjort offers two key strategies underwriting the transformation and globalization of contemporary Danish cinema-the processes of cultural circulation and the psychological efficacy of heritage. Exploring the Dogma 95 movement initiated by Lars von Trier and Thomas Vinterberg as well as films by Erik Clausen, Gabriel Axel, Henning Carlsen, and Ole Bornedal, among others, Hjort examines means for cinematic globalization specific to Denmark, but then evolves her investigation into a truly comparative framework encompassing references to Hong Kong, Latin America, and Hollywood filmmaking. Providing a fresh way of looking at cultural influence in the era of globalization, Hjort's concept of "small" nation points as much to the dynamics of recognition, indifference, and participation as it does to more common measures of population size, economic strength, or linguistic reach. Mette Hjort is professor of intercultural studies at Aalborg University., "Small Nation, Global Cinema" engages the effects of globalization from the perspective of small nations. Focusing her study on the specific cultural context of the international film market, Mette Hjort argues that the New Danish Cinema presents an opportunity to understand the effects of globalization within the culture and economy of a privileged small nation. Hjort offers two key strategies underwriting the transformation and globalization of contemporary Danish cinema--the processes of cultural circulation and the psychological efficacy of heritage. Exploring the Dogma 95 movement initiated by Lars von Trier and Thomas Vinterberg as well as films by Erik Clausen, Gabriel Axel, Henning Carlsen, and Ole Bornedal, among others, Hjort examines means for cinematic globalization specific to Denmark, but then evolves her investigation into a truly comparative framework encompassing references to Hong Kong, Latin America, and Hollywood filmmaking. Providing a fresh way of looking at cultural influence in the era of globalization, Hjort's concept of "small" nation points as much to the dynamics of recognition, indifference, and participation as it does to more common measures of population size, economic strength, or linguistic reach. Mette Hjort is professor of intercultural studies at Aalborg University.
LC Classification Number
PN1993.5.D4H62 2005

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