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GYÖRGY VASHEGYI/ORFEO ORCHESTRA/PURC ELL CHOIR FRANCESCO BARTOLOMEO CONTI: MISSA
US $24.36
ApproximatelyS$ 31.31
Condition:
Brand New
An item that has never been opened or removed from the manufacturer's sealing. Item is in original shrink wrap.
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Located in: North Carolina, United States
Delivery:
Estimated between Tue, 26 Aug and Wed, 3 Sep to 94104
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30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
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eBay item number:145220932705
Item specifics
- Condition
- UPC
- 8424562240049
About this product
Product Identifiers
Record Label
Gsa, Glossa
UPC
8424562240049
eBay Product ID (ePID)
19046072449
Product Key Features
Format
CD
Release Year
2018
Genre
Classical Artists
Artist
Conti / Purcell Choir / Orfeo Orchestra
Release Title
Missa Sancti Pauli
Dimensions
Item Height
0.40 in
Item Weight
0.25 lb
Item Length
5.60 in
Item Width
4.90 in
Additional Product Features
Number of Discs
1
Country/Region of Manufacture
United States
Notes
The modern-day appreciation of Francesco Bartolomeo Conti takes a decisive turn in the direction of his church music with this early eighteenth-century composer's Missa Sancti Pauli given an ideal recording on Glossa by György Vashegyi, the Purcell Choir and Orfeo Orchestra. Conti was a Florentine who worked for much of his career in the Imperial Court in Vienna, generating much attention there - the ever-observant JS Bach and Zelenka were both known to have been attracted by his music. Curiously, it was liturgical works like this 1715 Missa Sancti Pauli which kept Conti's name known until near to the end of the nineteenth century rather than the operas, oratorios and cantatas with which he delighted the Viennese Court and which have hitherto been receiving the attention of artists and record labels today. If Conti's church music is less fledgling Classical than his dramatic fare, there is much in the way of melodic tunefulness and concertato style - for both voices and instruments - to combine with fugal-imitative writing reminiscent of the stile antico. The work is a Credo Mass, with it's rondo-like restatement of the word in the Credo section. The tone, control, presence and unity of the Purcell Choir have been amply demonstrated already on Glossa in music of the French Baroque - Rameau and Mondonville in particular - and the singers are given full opportunity to shine in Conti's mass - as are the orchestra, comprised mainly of strings, and the vocal soloists, who include Adriána Kalafszky, Péter Bárány, Zoltán Megyesi and Thomas Dolié. Bárány and Megyesi are also soloists in two additional works: the motet, Fastos caeli audite and the aria Pie Jesu, ad te refugio.
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