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A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Item specifics
- Condition
- Release Year
- 2001
- Book Title
- Others
- ISBN
- 9780691012230
About this product
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691012237
ISBN-13
9780691012230
eBay Product ID (ePID)
1876106
Product Key Features
Number of Pages
296 Pages
Publication Name
Others
Language
English
Publication Year
2001
Subject
Modern / 20th Century, Modern / 19th Century, Semiotics & Theory
Type
Textbook
Subject Area
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
16 Oz
Item Length
9.4 in
Item Width
7.4 in
Additional Product Features
Intended Audience
College Audience
LCCN
00-066945
Reviews
"A book by J. Hillis Miller, one of the most influential and productive of American critics of the past four decades, has a special significance: readers familiar with his work want to know how his thinking is developing and look forward to his combination of astute close reading and theoretical awareness. Here, as always, a major strength of Miller's writing is his insightful and sensitive reading of literary works. His theoretical interests are placed at the service of careful literary interpretation, and the reader finds again and again that a work or a passage has been illuminated by his judicious remarks." --Derek Attridge, University of York
Dewey Edition
21
Dewey Decimal
809.3/0094
Table Of Content
Acknowledgments ix Introduction 1 CHAPTER ONE Friedrich Schlegel: Catachreses for Chaos 5 CHAPTER TWO: Charles Dickens: The Other's Other in Our Mutual Friend 43 CHAPTER THREE: George Eliot: The Roar on the Other Side of Silence 65 CHAPTER FOUR: Anthony Trollope: Ideology as Other in Marion Fay 83 CHAPTER FIVE: Joseph Conrad: Should We Read Heart of Darkness? 104 CHAPTER SIX: Conrad's Secret 137 CHAPTER SEVEN: W B. Yeats: "The Cold Heaven" 170 CHAPTER EIGHT: E. M. Forster: Just Reading Howards End 183 CHAPTER NINE: Marcel Proust: Lying as a Recherche Tool 206 CHAPTER TEN: Paul de Man as Allergen 219 CHAPTER ELEVEN: Jacques Derrida's Others 259 Coda 276 Index 277
Synopsis
This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W. B. Yeats, E. M. Forster, Marcel Proust, Paul de Man, and Jacques Derrida. From the exquisite close readings for which he is celebrated, Miller reaps a capacious understanding of otherness--one reachable not through theory but through literature itself. Otherness has wide valence in contemporary literary and cultural studies and is often understood as a misconception by hegemonic groups of subaltern ones. In a pleasing counter to this, Others conceives of otherness as something that inhabits sameness. Instances of the "wholly other" within the familiar include your sense of self or your beloved, your sense of your culture as such, or your experience of literary, theoretical, and philosophical works that belong to your own culture--works that are themselves haunted by otherness.Though Others begins and ends with chapters on theorists, the testimony they offer about otherness is not taken as more compelling than that of such literary works as Dicken's Our Mutual Friend, Conrad's "The Secret Sharer," Yeats's "Cold Heaven," or Proust's Remembrance of Things Past.Otherness, as this book finds it in the writers read, is not an abstract concept. It is an elusive feature of specific verbal constructs, different in each case. It can be glimpsed only through close readings that respect this diversity, as the plural in the title--Others--indicates. We perceive otherness in the way that the unseen--and the characters' emotional responses to it--ripples the conservative ideological surface of Howard's End. We sense it as chaos in Schlegel's radical concept of irony. And we gaze at it in the multiple personifications of Heart of Darkness. Each testifies in its own way to the richness and tangible weight of an otherness close at hand., This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W. B. Yeats, E. M. Forster, Marcel Proust, Paul de Man, and Jacques Derrida. From the exquisite close readings for which he is celebrated, Miller reaps a capacious understanding of otherness--one reachable not through theory but through literature itself. Otherness has wide valence in contemporary literary and cultural studies and is often understood as a misconception by hegemonic groups of subaltern ones. In a pleasing counter to this, Others conceives of otherness as something that inhabits sameness. Instances of the ''wholly other'' within the familiar include your sense of self or your beloved, your sense of your culture as such, or your experience of literary, theoretical, and philosophical works that belong to your own culture--works that are themselves haunted by otherness. Though Others begins and ends with chapters on theorists, the testimony they offer about otherness is not taken as more compelling than that of such literary works as Dicken's Our Mutual Friend , Conrad's ''The Secret Sharer, '' Yeats's ''Cold Heaven, '' or Proust's Remembrance of Things Past . Otherness, as this book finds it in the writers read, is not an abstract concept. It is an elusive feature of specific verbal constructs, different in each case. It can be glimpsed only through close readings that respect this diversity, as the plural in the title-- Others --indicates. We perceive otherness in the way that the unseen--and the characters' emotional responses to it--ripples the conservative ideological surface of Howard's End . We sense it as chaos in Schlegel's radical concept of irony. And we gaze at it in the multiple personifications of Heart of Darkness . Each testifies in its own way to the richness and tangible weight of an otherness close at hand., This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W. B. Yeats, E. M. Forster, Marcel Proust, Paul de Man, and Jacques Derrida. From the exquisite close readings for which he is celebrated, Miller reaps a capacious understanding of otherness--one reachable not through theory but through literature itself. Otherness has wide valence in contemporary literary and cultural studies and is often understood as a misconception by hegemonic groups of subaltern ones. In a pleasing counter to this, Others conceives of otherness as something that inhabits sameness. Instances of the ''wholly other'' within the familiar include your sense of self or your beloved, your sense of your culture as such, or your experience of literary, theoretical, and philosophical works that belong to your own culture--works that are themselves haunted by otherness. Though Others begins and ends with chapters on theorists, the testimony they offer about otherness is not taken as more compelling than that of such literary works as Dicken's Our Mutual Friend , Conrad's ''The Secret Sharer,'' Yeats's ''Cold Heaven,'' or Proust's Remembrance of Things Past . Otherness, as this book finds it in the writers read, is not an abstract concept. It is an elusive feature of specific verbal constructs, different in each case. It can be glimpsed only through close readings that respect this diversity, as the plural in the title-- Others --indicates. We perceive otherness in the way that the unseen--and the characters' emotional responses to it--ripples the conservative ideological surface of Howard's End . We sense it as chaos in Schlegel's radical concept of irony. And we gaze at it in the multiple personifications of Heart of Darkness . Each testifies in its own way to the richness and tangible weight of an otherness close at hand., Investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W B Yeats, E M Forster, Marcel Proust, Paul de Man, and Jacques Derrida.
LC Classification Number
PN3499.M48 2001
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Seller feedback (45,941)
- j***r (127)- Feedback left by buyer.Past monthVerified purchaseGreat book dudez
- t***r (1897)- Feedback left by buyer.Past monthVerified purchaseTy
- t***r (1897)- Feedback left by buyer.Past monthVerified purchaseThank you