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No Gods No Masters - Garbage CD
Condition:
7 available
Postage:
Located in: Melbourne, Australia
Delivery:
Estimated between Tue, 28 May and Mon, 10 Jun to 43230
Returns:
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Seller information
Registered as a Business Seller
Seller assumes all responsibility for this listing.
eBay item number:134907168301
Item specifics
- Condition
- Album Name
- Does not apply
- UPC
- 4050538670011
- Artist
- Garbage, Exene Cervenka, John Doe, Brian Aubert, Brody Dalle, Screaming Females
- Type
- Box Set
- Format
- CD
- Record Label
- Infectious Music
- Producer
- Garbage; Billy Bush
- Release Year
- 2021
- Release Title
- No Gods No Masters [Box] *
- Run Time
- 83 Mins 23 Seconds
- Genre
- Rock
About this product
Product Identifiers
Producer
Garbage; Billy Bush
Record Label
Infectious Music
UPC
4050538670011
eBay Product ID (ePID)
10050175366
Product Key Features
Artist
Garbage, Exene Cervenka, John Doe, Brian Aubert, Brody Dalle, Screaming Females
Format
CD
Release Year
2021
Release Title
No Gods No Masters [Box] *
Type
Box Set
Run Time
83 Mins 23 Seconds
Genre
Rock
Additional Product Features
Distribution
ADA
Number of Discs
2
Additional information
Personnel: Shirley Manson (vocals, keyboards); Steve Marker (guitar, keyboards, drums, programming, drum programming, background vocals); Butch Vig (guitar, keyboards, drums, background vocals); Duke Erikson (guitar, keyboards, percussion, background vocals). Audio Mixer: Billy Bush. Recording information: Red Razor Studio, Atwater Village, LA. Decrying injustice in a chaotic world, alt-rock mainstays Garbage blazed into the 2020s revitalized and pissed off with their seventh set, No Gods No Masters. Their most overtly political effort to date, the album takes a bold sociopolitical stance in the wake of global events from the years preceding its release, tackling everything from systemic racism and gender inequality to corporate greed and the struggles of the marginalized. From the outset, it's clear that the quartet are fed up, switching off their 2010s autopilot mode and cranking up the aggression for the throbbing digital-funk of "The Men Who Rule the World," a biting indictment that aims to smash the patriarchy. The pulsing "Godhead" takes a more explicit approach, venting frustration over society's centering on the male ego with colorful phallic imagery, which is then twisted through a Depeche Mode-meets-Peaches lens. "A Woman Destroyed" carries that fury to a logical conclusion with a theatrical revenge fantasy, which is layered with ominous atmospheric production and a pulsing industrial beat. Later, the rage morphs into hopeless desperation on the somber "Waiting for God," a haunting dirge that finds vocalist Shirley Manson praying for those affected by police brutality and discrimination. Wading through these tough topics, Manson -- her inimitable vocals as alluring, commanding, and threatening as ever -- is sure to tap into the personal side of things, offering unguarded moments of hard-earned wisdom that deal with self-doubt and failure (the frenetic, biographical "The Creeps"), atoning for past ills (the quintessentially "Garbage" standout "Wolves"), and being an eternal misfit (the sweeping, midtempo "Uncomfortably Me"). As No Gods No Masters draws to a close, Garbage deliver a hopeful anthem to the masses with the sparkling title track, a driving pop gem that echoes Missing Persons and Blondie. Atop the ever-reliable backing of Butch Vig, Duke Erikson, and Steve Marker, Manson defiantly declares, "The future is mine just the same/No master or gods to obey." As a unit, Garbage haven't sounded this hungry and vital in over a decade; the fact that they've delivered such a statement nearly three decades into their careers makes it all the more impressive. No Gods No Masters is a highlight in their discography and one of their best works to date, a potent and outspoken dose of genre-blending artistry that confidently returns Garbage to their position as a band perpetually ahead of the curve. ~ Neil Z. Yeung
Reviews
Billboard - "Shirley Manson's still-commanding voice sounds delightful layered atop pounding drums and frenzied riffs." Pitchfork (Website) - "'Godhead' opens with programmed swooshes and vaguely Indian melodic swirls before settling on the whispery-whiskery dynamics Manson used to creepy effect on 1998's 'Hammering in My Head'..."
Engineer
Billy Bush
Item description from the seller
Business seller information
Value Added Tax Number:
- AU 82107909133
- GB 293967539
Seller assumes all responsibility for this listing.
eBay item number:134907168301
Postage and handling
Item location:
Melbourne, Australia
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Worldwide
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Postage and handling | Each additional item | To | Service | Delivery*See Delivery notes |
---|---|---|---|---|
Free postage | Free | United States | International Standard : tracked-no signature (7 to 15 business days) | Estimated between Tue, 28 May and Mon, 10 Jun to 43230 |
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Will usually post within 10 business days of receiving cleared payment. |
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Return policy
After receiving the item, contact seller within |
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30 days after the buyer receives it |
The buyer is responsible for return postage costs.
Seller feedback (1,427,254)
t***4 (2303)- Feedback left by buyer.
Past month
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Item arrived today, all good thanks. Grant.
a***8 (310)- Feedback left by buyer.
Past month
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Pleasure to deal with as always.
a***a (1516)- Feedback left by buyer.
Past month
Verified purchase
Brand new as described. No problem transaction. Highly recommended