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My Emily Dickinson by Howe, Susan (Paperback)
US $12.99
ApproximatelyS$ 16.67
Condition:
“Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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US $6.99 (approx S$ 8.97) USPS Media MailTM.
Located in: Multiple Locations, United States
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Estimated between Mon, 11 Aug and Sat, 16 Aug to 94104
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eBay item number:134869833772
Item specifics
- Condition
- Good
- Seller Notes
- “Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
- ISBN
- 9780811216838
About this product
Product Identifiers
Publisher
New Directions Publishing Corporation
ISBN-10
0811216837
ISBN-13
9780811216838
eBay Product ID (ePID)
60309790
Product Key Features
Book Title
My Emily Dickinson
Number of Pages
160 Pages
Language
English
Publication Year
2007
Topic
Poetry
Genre
Literary Criticism
Format
Perfect
Dimensions
Item Height
0.5 in
Item Weight
7.8 Oz
Item Length
9.1 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2007-034673
Reviews
In the non-conformist tradition of William Carlos Williams's In the American Grain and Charles Olson''s Call Me Ishmael, Susan Howe's My Emily Dickinson reclaims the primacy of the poet's voice in American literary criticism even as it redresses the troubling absence of women within those antecedents. In this groundbreaking and influential work, Howe explores Dickinson's poems in all their radical indeterminacy and acoustical complexity, brilliantly revealing their explosive, modern power. My Emily Dickinson is visionary criticism at its best., As a poet and a critic she articulates precisely those soundings of uncertainty, those zones of failed or impaired utterance that constitute the literary history of America''''s uneasy commerce with the world., In the non-conformist tradition of William Carlos Williams's In the American Grain and Charles Olson's Call Me Ishmael, Susan Howe's My Emily Dickinson reclaims the primacy of the poet's voice in American literary criticism even as it redresses the troubling absence of women within those antecedents. In this groundbreaking and influential work, Howe explores Dickinson's poems in all their radical indeterminacy and acoustical complexity, brilliantly revealing their explosive, modern power. My Emily Dickinson is visionary criticism at its best., As a poet and a critic she articulates precisely those soundings of uncertainty, those zones of failed or impaired utterance that constitute the literary history of America's uneasy commerce with the world., In the non-conformist tradition of William Carlos Williams''s In the American Grain and Charles Olson''s Call Me Ishmael, Susan Howe''s My Emily Dickinson reclaims the primacy of the poet''s voice in American literary criticism even as it redresses the troubling absence of women within those antecedents. In this groundbreaking and influential work, Howe explores Dickinson''s poems in all their radical indeterminacy and acoustical complexity, brilliantly revealing their explosive, modern power. My Emily Dickinson is visionary criticism at its best.
Dewey Edition
22
Dewey Decimal
811/.4
Synopsis
For Wallace Stevens, Poetry is the scholar's art. Susan Howe--taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides--embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading. Giving close attention to the well-known poem, My Life had stood--a Loaded Gun, Howe tracks Dickens, Browning, Emily Brontë, Shakespeare, and Spenser, as well as local Connecticut River Valley histories, Puritan sermons, captivity narratives, and the popular culture of the day. Dickinson's life was language and a lexicon her landscape. Forcing, abbreviating, pushing, padding, subtracting, riddling, interrogating, re-writing, she pulled text from text...., For Wallace Stevens, "Poetry is the scholar's art." Susan Howe--taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides--embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading. Giving close attention to the well-known poem, "My Life had stood--a Loaded Gun," Howe tracks Dickens, Browning, Emily Brontë, Shakespeare, and Spenser, as well as local Connecticut River Valley histories, Puritan sermons, captivity narratives, and the popular culture of the day. "Dickinson's life was language and a lexicon her landscape. Forcing, abbreviating, pushing, padding, subtracting, riddling, interrogating, re-writing, she pulled text from text....", "Starts off as a manifesto but becomes richer and more suggestive as it develops."--The New York Sun, For Wallace Stevens, "Poetry is the scholar's art." Susan Howe--taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides--embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading. Giving close attention to the well-known poem, "My Life had stood--a Loaded Gun," Howe tracks Dickens, Browning, Emily Bront , Shakespeare, and Spenser, as well as local Connecticut River Valley histories, Puritan sermons, captivity narratives, and the popular culture of the day. "Dickinson's life was language and a lexicon her landscape. Forcing, abbreviating, pushing, padding, subtracting, riddling, interrogating, re-writing, she pulled text from text...."
LC Classification Number
PS1541.Z5H68 2007
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