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As Radical, As Mother, As Salad, As Shelter: What Should Art Institutions Do Now
US $3.99
ApproximatelyS$ 5.12
Condition:
Brand New
A new, unread, unused book in perfect condition with no missing or damaged pages.
2 available
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Free local pickup from Brooklyn, New York, United States.
Shipping:
US $4.99 (approx S$ 6.40) USPS Media MailTM.
Located in: Brooklyn, New York, United States
Delivery:
Estimated between Mon, 22 Sep and Thu, 25 Sep to 94104
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30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
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eBay item number:127369262281
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Era
- 1920s
- Illustrator
- Yes
- Original Language
- English
- Country/Region of Manufacture
- Germany
- ISBN
- 9780979757594
About this product
Product Identifiers
Publisher
Paper Monument
ISBN-10
0979757592
ISBN-13
9780979757594
eBay Product ID (ePID)
5078402479
Product Key Features
Book Title
As Radical, As Mother, As Salad, As Shelter : What Should Art Institutions Do Now?
Number of Pages
120 Pages
Language
English
Publication Year
2018
Topic
Art & Politics, Criticism & Theory, Political Process / Political Advocacy
Genre
Art, Political Science
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
5.6 Oz
Item Length
5.8 in
Item Width
4.8 in
Additional Product Features
Intended Audience
Trade
Synopsis
"A thoroughly engrossing read ...entertaining as well as intellectually stimulating."--Oliver Basciano, ArtReview In this collection from Brooklyn's Paper Monument art press, thirty contributors are asked a range of questions about art and politics in the post-internet era. In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-à-vis political activism? Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play? What other institutions, curators, or publics do you look to in formulating your own institution's position? Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed? How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artist's role? How can art institutions be better?
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- eBay automated feedback- Feedback left by buyer.Past monthOrder completed successfully—tracked and on time
- eBay automated feedback- Feedback left by buyer.Past monthOrder completed successfully—tracked and on time
- eBay automated feedback- Feedback left by buyer.Past monthOrder completed successfully—tracked and on time