Curves to the Apple: The Reproduction of Profiles, Lawn of Excluded Middle, Relu
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Sep 05, 09:29Sep 05, 09:29
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Curves to the Apple: The Reproduction of Profiles, Lawn of Excluded Middle, Relu
US $10.94
ApproximatelyS$ 14.04
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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US $3.99 (approx S$ 5.12) Economy Shipping.
Located in: Chicago, Illinois, United States
Delivery:
Estimated between Sat, 27 Sep and Thu, 2 Oct to 94104
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eBay item number:127103476945
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Item specifics
- Condition
- ISBN
- 9780811216739
About this product
Product Identifiers
Publisher
New Directions Publishing Corporation
ISBN-10
081121673X
ISBN-13
9780811216739
eBay Product ID (ePID)
24038827135
Product Key Features
Book Title
Curves to the Apple : the Reproduction of Profiles, Lawn of Excluded Middle, Reluctant Gravities
Number of Pages
272 Pages
Language
English
Topic
Women Authors, European / General, General
Publication Year
2006
Genre
Poetry
Format
Perfect
Dimensions
Item Height
0.6 in
Item Weight
8.8 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-019328
Dewey Edition
22
Dewey Decimal
811.54
Synopsis
Rosmarie Waldrop's Curves to the Apple brings together three highly praised and influential titles: The Reproduction of Profiles, Lawn of Excluded Middle, and Reluctant Gravities. Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feelingor of thought manifested as feeling. The author comments: "Just as the title Curves to the Apple combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance.", Three pivotal works conceived by the avant-garde poet as a trilogy and now together in one volume at last., Rosmarie Waldrop's Curves to the Apple brings together three highly praised and influential titles: The Reproduction of Profiles, Lawn of Excluded Middle , and Reluctant Gravities . Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feelingor of thought manifested as feeling. The author comments: "Just as the title Curves to the Apple combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance.", Three pivotal works conceived by the avant-garde poet as a trilogy and now together in one volume at last. Rosmarie Waldrop's "Curves to the Apple" brings together three highly praised and influential titles: "The Reproduction of Profiles, Lawn of Excluded Middle," and "Reluctant Gravities," Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feeling--or of thought manifested as feeling. The author comments: "Just as the title "Curves to the Apple" combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance."
LC Classification Number
PS3573.A4234C87 2006
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