Architecture & Art of the Deccan Sultanates The New Cambridge History of India

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Item specifics

Condition
Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
Features
Dust Jacket
ISBN
9780521563215
Category

About this product

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521563216
ISBN-13
9780521563215
eBay Product ID (ePID)
601432

Product Key Features

Number of Pages
324 Pages
Language
English
Publication Name
Architecture and Art of the Deccan Sultanates
Publication Year
1999
Subject
Middle Eastern, Asia / India & South Asia, Asian / Indian & South Asian
Type
Textbook
Subject Area
Art, History
Author
George Michell, Mark Zebrowski
Series
The New Cambridge History of India Ser.
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
31.1 Oz
Item Length
10 in
Item Width
7.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
98-024737
Dewey Edition
21
Reviews
‘In this jointly authored work Michell is mainly responsible for the discusiions on architecture, while Zebrowski deals with the visual arts, including the arts of the book and miniature painting as well as metal work and other minor arts. Discussions on these topics are clear and informative and are supposed by illustrations, many in colour.’The Times Higher Education Supplement, ' ... a book into which you will be drawn - and at some points will almost drown - in the powerfully and sumptuously exotic works of art which are discussed. It would be difficult to imagine two scholars better suited to present the architectural and artistic heritage of this huge region, for George Michell and Mark Zebrowski have made this subject their own.' Richard Blurton, British Museum Magazine, 'In this scholarly desert, The Art and Architecture of the Deccan Sultanates in the New Cambridge History of India is a major landmark. It is also one of the most beautifully written works of Indian art history published for many years, combining rigorous scholarship with an aesthetic sensitivity and a feeling for language all too rare in modern academia. One of the authors, Mark Zebrowski, died shortly after finishing it. The power of his prose and the perception of his eye are amply demonstrated by the remarkable chapters he has contributed to this book. As scholars of the period are already discovering, his death has created a gap it will be very difficult to fill.' Times Literary Supplement, "Magnificent illustrations, a useful bibliographic essay, 206-item bibliography, and nine-page index accompany the well-documented narrative. The rigorous scholarship of Mitchell (architect/art historian) and the late Zebrowski (art historian) results in an extremely valuable, compelling academic account of Deccan art history and architecture." Religious Studies Review, ‘To the non-specialist, even with some knowledge of the art and architecture of the Mughals in North India, the individuality, variety and exuberance of Deccani art and architecture, admirably surveyed in the present handbook, will come as a delightful surprise.’Burlington Magazine, ' ... a book into which you will be drawn - and at some points will almost drown - in the powerfully and sumptuously exotic works of art which are discussed. It would be difficult to imagine two scholars better suited to present the architectural and artistic heritage of this huge region, for George Michell and Mark Zebrowski have made this subject their own.' Richard Blurton, Department of Oriental Antiquities, British Museum, British Museum Magazine, ‘ … a book into which you will be drawn - and at some points will almost drown - in the powerfully and sumptuously exotic works of art which are discussed. It would be difficult to imagine two scholars better suited to present the architectural and artistic heritage of this huge region, for George Michell and Mark Zebrowski have made this subject their own.’Richard Blurton, Department of Oriental Antiquities, British Museum, British Museum Magazine, ' … a book into which you will be drawn - and at some points will almost drown - in the powerfully and sumptuously exotic works of art which are discussed. It would be difficult to imagine two scholars better suited to present the architectural and artistic heritage of this huge region, for George Michell and Mark Zebrowski have made this subject their own.' Richard Blurton, British Museum Magazine, 'To the non-specialist, even with some knowledge of the art and architecture of the Mughals in North India, the individuality, variety and exuberance of Deccani art and architecture, admirably surveyed in the present handbook, will come as a delightful surprise.' Burlington Magazine, ‘ … analyses the architecture and art that flourished in western, central and southern India between the fourteenth and eighteenth centuries. The book’s subtitle Architecture and Art of the Deccan Sultanate is misleading because the book also incorporates the artistic creations of several non-Sultanate kingdoms such as the Mughals and the Marathas. The authors have taken a very broad view of both ‘architecture’ and ‘art’: ‘architecture’ includes not only palaces, forts, gateways, tombs, mosques and temples but also the plans and layouts of the urban and semi-urban settlements housing the above buildings. Similarly, ‘art’ includes within its fold, wall and miniature paintings, painted wall and floor tiles, sculptures and textiles, besides artifacts in stone, wood and metal … The authors have painstakingly visited and photographed the various Sultanate sites and buildings. In addition, they have also identified and examined, for the first time ever, the Sultanate artifacts in the collection of libraries and museums in UK, France, Germany and USA … The most interesting and informative sections of the book are those dealing with the Middle Eastern influences on the art and culture of the Deccan.’Indian Review of Books, ' … analyses the architecture and art that flourished in western, central and southern India between the fourteenth and eighteenth centuries. The book's subtitle Architecture and Art of the Deccan Sultanate is misleading because the book also incorporates the artistic creations of several non-Sultanate kingdoms such as the Mughals and the Marathas. The authors have taken a very broad view of both 'architecture' and 'art': 'architecture' includes not only palaces, forts, gateways, tombs, mosques and temples but also the plans and layouts of the urban and semi-urban settlements housing the above buildings. Similarly, 'art' includes within its fold, wall and miniature paintings, painted wall and floor tiles, sculptures and textiles, besides artifacts in stone, wood and metal … The authors have painstakingly visited and photographed the various Sultanate sites and buildings. In addition, they have also identified and examined, for the first time ever, the Sultanate artifacts in the collection of libraries and museums in UK, France, Germany and USA … The most interesting and informative sections of the book are those dealing with the Middle Eastern influences on the art and culture of the Deccan.' Indian Review of Books, ‘In this scholarly desert, The Art and Architecture of the Deccan Sultanates in the New Cambridge History of India is a major landmark. It is also one of the most beautifully written works of Indian art history published for many years, combining rigorous scholarship with an aesthetic sensitivity and a feeling for language all too rare in modern academia. One of the authors, Mark Zebrowski, died shortly after finishing it. The power of his prose and the perception of his eye are amply demonstrated by the remarkable chapters he has contributed to this book. As scholars of the period are already discovering, his death has created a gap it will be very difficult to fill.’Times Literary Supplement, 'In this jointly authored work Michell is mainly responsible for the discusiions on architecture, while Zebrowski deals with the visual arts, including the arts of the book and miniature painting as well as metal work and other minor arts. Discussions on these topics are clear and informative and are supposed by illustrations, many in colour.' The Times Higher Education Supplement, ' ... analyses the architecture and art that flourished in western, central and southern India between the fourteenth and eighteenth centuries. The book's subtitle Architecture and Art of the Deccan Sultanate is misleading because the book also incorporates the artistic creations of several non-Sultanate kingdoms such as the Mughals and the Marathas. The authors have taken a very broad view of both 'architecture' and 'art': 'architecture' includes not only palaces, forts, gateways, tombs, mosques and temples but also the plans and layouts of the urban and semi-urban settlements housing the above buildings. Similarly, 'art' includes within its fold, wall and miniature paintings, painted wall and floor tiles, sculptures and textiles, besides artifacts in stone, wood and metal ... The authors have painstakingly visited and photographed the various Sultanate sites and buildings. In addition, they have also identified and examined, for the first time ever, the Sultanate artifacts in the collection of libraries and museums in UK, France, Germany and USA ... The most interesting and informative sections of the book are those dealing with the Middle Eastern influences on the art and culture of the Deccan.' Indian Review of Books, "...for readers interested in Indian culture, the volume offers a wealth of detail by way of broader context. ...Michell's survey of architecture is excellent for a volume this size. He has managed to serve up a sort of 'greatest hits' of all the large dynasties while including a generous sprinkling of detail shots." Religion and the Arts
Series Volume Number
Vol. I, 7
Illustrated
Yes
Dewey Decimal
954 s
Table Of Content
Introduction; 1. Historical framework; 2. Forts and palaces; 3. Mosques and tombs; 4. Architectural decoration; 5. Miniature painting: Ahmadnagar and Bijnapur; 6. Miniature painting: Golconda and other centres; 7. Textiles, metalwork and stone objects; 8. Temples; 9. Conclusion.
Synopsis
The Muslim kingdoms of the Deccan plateau flourished from the fourteenth to eighteenth centuries. During this period, the Deccan sultans built palaces, mosques and tombs, and patronised artists who produced paintings and decorative objects. Many of these buildings and works of art still survive as testimony to the sophisticated techniques of their craftsmen. This volume is the first to offer an overall survey of these architectural and artistic traditions and to place them within their historical context. The links which existed between the Deccan and the Middle East, for example, are discernible in Deccani architecture and paintings, and a remarkable collection of photographs, many of which have never been published before, testify to these influences. The book will be a source of inspiration to all those interested in the rich and diverse culture of India, as well as to those concerned with the artistic heritage of the Middle East., This volume is the first to offer an overall survey of the architectural and artistic heritage of the Deccan Sultanate and to place this legacy within its historical context. The cultural links which existed between the Deccan and the Middle East, for example, are clearly discernible in Deccani architecture and paintings and a remarkable collection of photographs, many of which have never been published before, testify to such influences. The book will be a source of inspiration to all those interested in the rich and diverse culture of India., This volume is the first to offer an overall survey of the architectural and artistic heritage of the Deccan Sultanate and to place this legacy within its historical context. The book will inspire all those interested in the rich and diverse culture of India.
LC Classification Number
DS436 .N47 1987 pt.

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