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Murder after Death: Literature and Anatomy in Early Modern England Richard Sugg

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Item specifics

Condition
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Photos are of actual item”
Publication Name
NA
Type
NA
ISBN-13
9780801445095
ISBN
9780801445095
Book Title
Murder after Death : Literature and Anatomy in Early Modern England
Item Length
9.2in
Publisher
Cornell University Press
Publication Year
2007
Format
Hardcover
Language
English
Item Height
0.8in
Author
Richard Sugg
Genre
Literary Criticism, Science, Medical
Topic
History, European / English, Irish, Scottish, Welsh
Item Width
6in
Item Weight
32 Oz
Number of Pages
280 Pages

About this product

Product Information

Just as museum exhibits of plastinated corpses, television dramas about forensics, and books about the eventual fate of human remains provoke interest and generate ethical debates today, anatomy was a topic of fascination-and autopsies a spectator pastime-in England from the mid-Elizabethan era through the outbreak of civil war. Rather than regard such preoccupations as purely macabre, Richard Sugg sees them as precursors of a profoundly new scientific and cultural discourse. Tracing the influence of continental anatomy on English literature across the period, Sugg begins his exploration with the essentially sacralizing aspects of dissection?as expressed, for instance, in the search for the anatomical repository of the soul?before detailing ways in which science and religion diverged from and eventually opposed each other. In charting this transition, Sugg draws his evidence from the fine detail of literary language, moving from sermons to plays, medical textbooks to sonnets, and from sensational short tales to Thomas Nashe's proto-novel The Unfortunate Traveller . As Sugg shows, the study of anatomy first offered to positively revitalize many areas of religious rhetoric. In time, however, the rising forces of early scientific enquiry transformed the body into an increasingly alien and secular entity. Within this evolution the author finds a remarkably rich, subtle, and unstable set of attitudes, with different forms of violence, different versions of the interior body, and implicit social, religious, and psychological stances variously cooperating or competing for supremacy.

Product Identifiers

Publisher
Cornell University Press
ISBN-10
0801445094
ISBN-13
9780801445095
eBay Product ID (ePID)
57211273

Product Key Features

Book Title
Murder after Death : Literature and Anatomy in Early Modern England
Author
Richard Sugg
Format
Hardcover
Language
English
Topic
History, European / English, Irish, Scottish, Welsh
Publication Year
2007
Genre
Literary Criticism, Science, Medical
Number of Pages
280 Pages

Dimensions

Item Length
9.2in
Item Height
0.8in
Item Width
6in
Item Weight
32 Oz

Additional Product Features

Lc Classification Number
Pr428.H78s84 2007
Grade from
College Graduate Student
Reviews
"Richard Sugg has written an impressively interdisciplinary work, one that combines science, literary analysis, and medical history. In the end he claims that 'it was writers rather than experimenters who first grasped the direction and potential of this new form of medical inquiry.' Physicians might take umbrage at the natural, irresistible reflex to defend and magnify one's own metier, but that should not prevent anyone interested in early modern literature and medicine from reading this book."- JAMA, January 23, 2008, "Richard Sugg has written an impressively interdisciplinary work, one that combines science, literary analysis, and medical history. In the end he claims that 'it was writers rather than experimenters who first grasped the direction and potential of this new form of medical inquiry.' Physicians might take umbrage at the natural, irresistible reflex to defend and magnify one's own m"Tier, but that should not prevent anyone interested in early modern literature and medicine from reading this book."- JAMA, January 23, 2008, "Murder after Death communicates its complex subject matter without stylistic pretentiousness or affectation. Richard Sugg's elegant turns of phrase give important points not only a memorable but also a sympathetic quality; this kind of eloquence is the product of a deeply focused intellectual engagement. This substantial book operates on a genuinely interdisciplinary level, combining medical history with literary analysis to produce enlightening insights into early modern culture."-John Peacock, University of Southampton, "Sugg's is a lissom mind, capable at once of bold claims (for Europeans, anatomy was a 'preferable form of aggression' to cannibalism) and sophisticated new readings of familiar texts. The book is finely produced, engagingly written, and replete with odd, grotesque lore. In its breadth of reference and depth of reading, it is a remarkable achievement."--Stephen Pender, Times Literary Supplement, November 2, 2007, Richard Sugg has written an impressively interdisciplinary work, one that combines science, literary analysis, and medical history. In the end he claims that 'it was writers rather than experimenters who first grasped the direction and potential of this new form of medical inquiry.' Physicians might take umbrage at the natural, irresistible reflex to defend and magnify one's own metier, but that should not prevent anyone interested in early modern literature and medicine from reading this book., "Murder after Death communicates its complex subject matter without stylistic pretentiousness or affectation. Richard Sugg's elegant turns of phrase give important points not only a memorable but also a sympathetic quality; this kind of eloquence is the product of a deeply focused intellectual engagement. This substantial book operates on a genuinely interdisciplinary level, combining medical history with literary analysis to produce enlightening insights into early modern culture."--John Peacock, University of Southampton, Sugg's is a lissom mind, capable at once of bold claims (for Europeans, anatomy was a 'preferable form of aggression' to cannibalism) and sophisticated new readings of familiar texts. The book is finely produced, engagingly written, and replete with odd, grotesque lore. In its breadth of reference and depth of reading, it is a remarkable achievement., "Richard Sugg has written an impressively interdisciplinary work, one that combines science, literary analysis, and medical history. In the end he claims that 'it was writers rather than experimenters who first grasped the direction and potential of this new form of medical inquiry.' Physicians might take umbrage at the natural, irresistible reflex to defend and magnify one's own metier, but that should not prevent anyone interested in early modern literature and medicine from reading this book."-- JAMA, January 23, 2008, Murder after Death communicates its complex subject matter without stylistic pretentiousness or affectation. Richard Sugg's elegant turns of phrase give important points not only a memorable but also a sympathetic quality; this kind of eloquence is the product of a deeply focused intellectual engagement. This substantial book operates on a genuinely interdisciplinary level, combining medical history with literary analysis to produce enlightening insights into early modern culture.
Copyright Date
2007
Lccn
2006-035654
Intended Audience
Trade
Illustrated
Yes

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