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It Was Vulgar and It Was Beautiful : How AIDS Activists Used Art to Fight : NEW

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Brand New
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eBay item number:116594549626
Last updated on Jun 07, 2025 06:30:46 SGTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
Country/Region of Manufacture
Italy
ISBN
9781645036609

About this product

Product Identifiers

Publisher
Publicaffairs
ISBN-10
164503660X
ISBN-13
9781645036609
eBay Product ID (ePID)
25062256725

Product Key Features

Number of Pages
432 Pages
Publication Name
It Was Vulgar and It Was Beautiful : How Aids Activists Used Art to Fight a Pandemic
Language
English
Subject
Public Health, Lgbt Studies / General, Art & Politics, Social History
Publication Year
2024
Type
Textbook
Subject Area
Art, Social Science, History, Medical
Author
Jack Lowery
Format
Trade Paperback

Dimensions

Item Height
1.1 in
Item Weight
13.2 Oz
Item Length
8.2 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
"I picked up Jack Lowery's It Was Vulgar and It Was Beautiful and didn't stop reading it for the next three days. Lowery's plainspoken, patient, and probing approach to his dramatic subject matter is totally compelling, and his focus on Gran Fury fills in a critical piece of aesthetic and political history. Anyone and everyone interested in still-urgent questions about the relations between art, activism, living, and dying should immediately read this book."-- Maggie Nelson, author of THE ARGONAUTS
Illustrated
Yes
Dewey Decimal
362.1969792
Synopsis
Shortlisted for the J. Anthony Lukas Prize The story of art collective Gran Fury--which fought back during the AIDS crisis through direct action and community-made propaganda--offers lessons in love and grief. In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Writer Jack Lowery examines Gran Fury's art and activism from iconic images like the "Kissing Doesn't Kill" poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis. Gran Fury and ACT UP's strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists., Shortlisted for the J. Anthony Lukas Prize The story of art collective Gran Fury-which fought back during the AIDS crisis through direct action and community-made propaganda-offers lessons in love and grief. In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic.Writer Jack Lowery examines Gran Fury's art and activism from iconic images like the "Kissing Doesn't Kill" poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis.Gran Fury and ACT UP's strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists., In the late 1980s, the AIDS pandemic annihilated queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. From the activist group ACT UP, an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Writer Jack Lowery examines Gran Fury's art and activism from iconic images like the "Kissing Doesn't Kill" poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis.
LC Classification Number
RA643.8.L69 2024

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