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Alexander C.Y. Shakespeare in Hollywood, Asia, and Cybe (Paperback) (UK IMPORT)
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Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Shakespeare in Hollywood, Asia, and Cyberspace
- Title
- Shakespeare in Hollywood, Asia, and Cyberspace
- Contributor
- Charles Stanley Ross (Edited by)
- EAN
- 9781557535290
- ISBN
- 9781557535290
- Genre
- Films & TV
- Subject
- Poetry & Drama
- Release Date
- 10/30/2009
- Release Year
- 2009
- Country/Region of Manufacture
- US
- Publication Name
- Shakespeare in Hollywood, Asia, and Cyberspace
- Item Length
- 9in
- Publisher
- Purdue University Press
- Series
- Comparative Cultural Studies
- Publication Year
- 2009
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.8in
- Item Width
- 6in
- Item Weight
- 12.3 Oz
- Number of Pages
- 260 Pages
About this product
Product Information
Recent decades have witnessed diverse incarnations and bold sequences of Shakespeare on screen and stage. Hollywood films and a century of Asian readings of plays such as Hamlet and Macbeth are now conjoining in cyberspace, making a world of difference to how we experience Shakespeare. Shakespeare in Hollywood, Asia, and Cyberspace shows readers how ideas of Asia operate in Shakespeare performances and how Asian and Anglo-European forms of cultural production combine to transcend the mode of inquiry that focuses on fidelity. The result is a new creativity that finds expression in different cultural and virtual locations, including recent films and MMOGs (Massively Multiplayer Online Games). The papers in the volume provide a background for these modern developments, showing the history of how Shakespeare became a signifier against which Asian and Western cultures defined--and continue to define--themselves. Authors in the first part of the collection examine culture and gender in Hollywood Shakespearean film and complement the second part in which the history of Shakespearean readings and stagings in China, Indonesia, Cambodia, Japan, Okinawa, Taiwan, Malaya, Korea, and Hong Kong are discussed. Papers in the third part of the volume analyze the transformation of the idea of Shakespeare in cyberspace, a rapidly expanding world of new rewritings of both Shakespeare and Asia. Together, the three sections of this comparative study demonstrate how Asian cultures and Shakespeare affect each other and how the combination of Asian and Anglo-European modes of representation are determining the future of how we see Shakespeare's plays.
Product Identifiers
Publisher
Purdue University Press
ISBN-10
1557535299
ISBN-13
9781557535290
eBay Product ID (ePID)
72673998
Product Key Features
Publication Name
Shakespeare in Hollywood, Asia, and Cyberspace
Format
Trade Paperback
Language
English
Series
Comparative Cultural Studies
Publication Year
2009
Type
Textbook
Number of Pages
260 Pages
Dimensions
Item Length
9in
Item Height
0.8in
Item Width
6in
Item Weight
12.3 Oz
Additional Product Features
Lc Classification Number
Pr2880.A1s575 2009
Reviews
"Alex Huang and Charles Ross have produced a superb and illuminating collection, highly original in its understanding of the cultural flows connecting Hollywood and Asia in the digital age. Asian Shakespeare productions are now among the most compelling in the world and are rapidly changing the paradigms of global culture. Fascinating, erudite, and methodologically diverse, the essays in Shakespeare in Hollywood, Asia, and Cyberspace are an essential guide to immense changes." Peter Donaldson, MIT, author of Shakespearean Films / Shakespearean Directors, Alexander C. Y. Huang and Charles S. Ross s unusual collection of essays, Shakespeare in Hollywood, Asia, and Cyberspace, might seem at first glance to be rather less than the sum of its apparently disparate parts. But it is about much more than three different institutions, locations, or media in which Shakespeare has been appropriated and culturally translated. Indeed, as Richard Burt notes in his contribution, it gestures toward a more complicated theorization of Shakespeare s transnational circulation than the unidirectional model of cultural exchange or appropriation favored in postcolonial criticism (p. 231). Instead the volume asks us to think about how Asian audio-visual idioms as much as Shakespeare s texts have been translated in both directions (p. 1). The best essays offer comparative analyses that illuminate this bidirectionality: Mei Zhu examines the influence of Hollywood screwball comedy on both Shakespearean film (specifically Franco Zeffirelli s Taming of the Shrew) and Chinese cinema; Ross considers the transnational circulation of the figure of the underwater woman in Chinese film and Hollywood adaptations of Shakespeare; and Lucian Ghita shows how Julie Taymor s film Titus draws both on Asian theater practices from Japanese bunraku to Indonesian topeng (or masked drama) and on video game representations of body parts. The volume breaks new ground by thinking about how, in the age of transnational capital and the worldwide web, Shakespeare and Asia are globally screened a more suggestive term, given the verb s double visual and obstructive sense, than the customary appropriation. Review Studies in English Literature Spring 2011, 73 pp. 492
Table of Content
Introduction to Shakespeare in Hollywood, Asia, and Cyberspace , by Alexander C.Y. Huang and Charles S. Ross Part One: Shakespeare in Hollywood Shakespeare?s Taming of the Shrew and Screwball Comedy, by Mei Zhu Method Acting and Pacino?s Looking for Richard , by Peirui Su Underwater Women in Shakespeare on Film, by Charles S. Ross Cultural Anxiety and the Female Body in Zeffirelli?s Hamlet , by Xianfeng Mou Part Two: Shakespeare in Asia Imagining the East and Shakespeare?s Asia, by David Bevington Kurosawa?s Throne of Blood and East Asia?s Macbeth , by Yuwen Hsiung Silence and Sound in Kurosawa?s Throne of Blood , by Lei Jin The Visualization of Metaphor in Two Chinese Versions of Macbeth , by Alexander C.Y. Huang Shakespeare in Contemporary Japan, by Daniel Gallimore The Tokyo Globe Years 1988-2002, by Michiko Suematsu Hamlet in Korea, by Meewon Lee Bangsawan Shakespeare in Colonial Malaya, by Nurul Farhana Low bt Abdullah Shakespeare, Noh, Ky?gen , and Okinawa Shibai , by Masae Suzuki Samritechak and Intercultural Shakespeare in Cambodia, by Kevin J. Wetmore, Jr. Spectres of Hamlet in Colonial and Postcolonial Indonesia, by Evan Darwin Winet Remembering the Past in the Shanghai Jingju Company's King Lear , by Elizabeth Wichmann-Walczak One Husband Too Many and the Problem of Postcolonial Hong Kong, by Adele Lee Part Three: Shakespeare in Cyberspace Aesthetics of Fragmentation in Taymor?s Titus , by Lucian Ghita Science Fiction, Forbidden Planet , and Shakespeare?s The Tempest , by Simone Caroti Mobilizing Foreign Shakespeares in Media, by Richard Burt Appropriation and the Design of an Online Shakespeare Journal, by Christy Desmet and Sujata Iyengar Performing Shakespeare for the Web Community, by Peter Holland Part Four: Chronology and Selected Bibliography A Chronology of Shakespeare in Hollywood, Asia, and Cyberspace, by Alexander C.Y. Huang Bibliography of Shakespeare in Hollywood, Asia, and Cyberspace , by Lucian Ghita and Alexander C.Y. Huang Contributors' Profiles Index
Copyright Date
2009
Topic
Asian / General, Shakespeare, Film / History & Criticism
Lccn
2009-007092
Dewey Decimal
822.3/3
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Drama, Literary Criticism, Performing Arts
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Buyers Beware! Mailed my album in a thin box no support on either side. It arrived destroyed! Did not offer me a return option! Gave me a 3 dollar refund !
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Very nice set. Arrived in perfect condition. Thank you!