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PACIFIC BREEZE - Japanese City Pop 76-86, 2LP BLACK VINYL + Booklet New & Sealed
US $40.99
ApproximatelyS$ 52.53
Condition:
New
A brand-new, unused, unopened, undamaged item. See the seller's listing for full details.
More than 10 available125 sold
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Shipping:
US $6.50 (approx S$ 8.33) USPS Media MailTM.
Located in: Kalamazoo, Michigan, United States
Delivery:
Estimated between Tue, 16 Sep and Mon, 22 Sep to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
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eBay item number:114118051007
Item specifics
- Condition
- New: A brand-new, unused, unopened, undamaged item. See the seller's listing for full details. See all condition definitionsopens in a new window or tab
- Material
- Vinyl
- Record Size
- 12"
- Type
- Double LP
- UPC
- 0826853016315
About this product
Product Identifiers
Record Label
Light in T.H.E. Attic, Liaa
UPC
0826853016315
eBay Product ID (ePID)
26046077031
Product Key Features
Release Year
2019
Format
Record
Genre
International
Artist
Pacific Breeze: Japanese City Pop Aor & Boogie 76
Release Title
Pacific Breeze: Japanese City Pop Aor & Boogie 1976-1986
Dimensions
Item Height
0.26 in
Item Weight
1.02 lb
Item Length
12.36 in
Item Width
12.26 in
Additional Product Features
Number of Tracks
16
Country/Region of Manufacture
United States
Tracks
I Say Who - Tomoko Soryo, Kusuri Wo Takusan - Taeko Ohnuki, Midnight Driver - Minako Yoshida, Subterranean Futari Bocci - Nanako Sato, Sports Men - Haruomi Hosono, Coffee Rumba - Izumi Kobayashi, In My Jungle - F.O.E, Sun Bathing - Akira Inoue Hiroshi Sato Masataka Matsutoya, Say Goodbye - Hiroshi Satoh, Drip Dry Eyes - Yukihiro Takahashi, Bamboo Vender - Masayoshi Takanaka, Lady Pink Panther - Shigeru Suzuki, Mykonos No Hanayome - Haruomi Hosono Takahiko Ishikawa Masataka Matsutoya, L.A. Night - Yasuko Agawa, Exotic Yokogao - Hitomi Tohyama, Machibouke - Tazumi Toyoshima
Number of Discs
2
Notes
Pacific Breeze documents Japan's blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world's second largest economy. Thriving tech exports sent The Rising Sun over the moon. It's pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.Japan's financial buoyancy also permeated it's popular culture, birthing an audio analog called City Pop. This new sound arose in the mid '70s and ruled through the '80s, channeling the country's contemporary psyche. It was sophisticated music mirroring Japan's punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.Many of the key City Pop players evolved from the Japanese New Music scene of the early '70s, as heard on Light In The Attic's acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, "Deconstructing the line between imitation and authenticity." Some of the best City Pop teeters in this zone-easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.
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